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fushitoru · 2 days ago

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chapter 6: the house party a bridgerton au

pairing ⸺ duke!satoru gojo x fem!reader

summary ⸺ dearest gentle reader, a new season is upon us as the ton gets ready for a season filled with drama, heartbreak, and passion. after being crowned diamond of the season, duke gojo⸺only looking to marry just to secure his inheritance⸺has his sights set on you, the easiest (and most obvious) option. later, when you catch his saying unsavory things about you on a terrace when he least suspected it, you swear to never marry gojo. as london's fashionable set goes through yet another wedding season, will there be hope for scandalous gossip, hate, and thinly veiled insults, or will we witness blooming love and passion?

warnings ⸺ nsfw, enemies to lovers, bridgerton au, angst, fluff, SUGGESTIVE, eventual smut, jealousy, misogyny, description of injury, concussion, blood, regency era au, gojo being infuriating, reader also being infuriating, both of them are clueless honestly

chapter summary ⸺ you are bedridden, recovering from your wound, when gojo delivers season-changing news. the house party that follows buzzes with tension, and an unexpected arrival that sends ripples through the ton (7.4k)

a/n thank you as always to the pooks @/sinn-clair for beta reading this <333 i'll see you after the chapter is over!

prev. the fall | next. soon!

general masterlist | series masterlist

Gentle Reader,

One query occupies this Author's mind, be it ladies or mamas alike—what exactly are Miss Itadori and Lord Gojo up to in the countryside? Perhaps a trifling dalliance of hearts, or will the ton bear witness to a scandal uncovered when they arrive for the house party? After having arrived a week early—and positioned as the diamond of the season—one must guess that if all goes well and Miss Itadori plays her cards right, she will be showing off her new surely lavish diamond engagement ring. Yet, she must take great care, for to err in this delicate matter would be to jeopardize a most significant match with Lord Gojo. Only time shall tell the outcome of this intrigue.

⸻ LADY WHISTLEDOWN’S SOCIETY PAPERS

Upon waking, the physician informed you that you had been unconscious for some days. Though no immediate danger threatened you, it had been long enough to send both families into a state of great disquiet. It seemed that even before you’d regained full awareness, a servant—who had gasped upon hearing your feeble request for water—had swiftly spread the news, for not a moment later Yuji burst into the room.

“SISTER!” he exclaims, hurtling his way towards you with heavy steps. You flinch in your position on the bed at the sound of his loud voice. “You are awake! Mama seemed like she would faint, Choso had almost popped a bloody vein, he looked like he was about to challenge Lord Gojo to a duel—”

“Yuji! My dear,” you had to shout, interrupting the boy’s ramblings, giving him an uneasy smile. “Lower your volume, please. I might faint back into unconsciousness due to the strain, and this time you will be the one dueling Choso.”

The pout Yuji adopts is akin to a chastened hound as he grabs a chair to sit next to you. You take this moment to surveil your surroundings, now with a clear headedness granted to you that hadn’t been granted before. There were fresh flowers adorning a vase on the table on your bedside, and you seemed to be wearing a shift, cleaned and changed out of your dirty and mud-ridden dress. There was a gauze surrounding your head, and you could feel some similar cloth on your ankle.

You turned to your brother. “Now then, what were you saying?”

He perks up. “Well, you’ve been in quite a state, dear sister! It’s not every day you’re injured before breaking fast. Choso practically spat his tea when he heard! And, of course, Duchess Gojo has been endlessly apologetic. Between Mama, Choso, and me, we’ve all been in quite a state. I daresay you’re hardly known for clumsiness—although you do have your moments on horseback.” At the memories seemingly pooling themselves in his mind, Yuji sniggers while you shoot him a look to not be testy. “And Gojo has been nothing short of attentive. No doubt the man’s come in to change your flowers more than the doctor’s visited you. He’s so caring, he even cares for a worm like you!”

You ignore Yuji’s jab, instead forcing yourself not to be gripped by the fact that Gojo had been so…attentive to you. Of course, it was as an indirect result of his sheer vexing nature that you were bedridden in such a manner, so it should not set your heart aflutter like a foolish girl. But your traitorous heart seems to hate listening to reason.

You begin to nod slowly. “And how many days have I been out? When is the house party?” Taking a gander at the windows in the room you were situated in, you could see the moon and star’s light filtering the curtains. You weren’t sure if it was the evening or night or completely early in the morning.

He looks up to the ceiling, as if calculating something, brows furrowed. “Today.”

Groaning, you put your head in your hands, playing with your hair as it falls through the gaps of your fingers. “Mother is going to kill me.”

“Oh, indeed,” Yuji replied with a hum, stretching his arms in a cat-like yawn. “Now, I must get back to my rest. The servants were gossiping near my door, so I thought I’d see for myself that you weren’t dead.” He kissed you on the cheek before heading to the door. “Sleep, sister, for I expect Mama will tire you endlessly come morning.”

Later, a gentle nudge at your arm and a few soft “Miss! Wake up!”’s roused you from sleep. You opened your eyes to find a maid hunched over you, relief clear in her expression as you met her gaze with a drowsy squint. “Miss, Lord Gojo requests your presence. May I allow him in?”

With a nod, you fought off your annoyance at having been disturbed. The maid, visibly flustered, hurried to admit Gojo, who soon approached with quiet footsteps. As you propped yourself up, arms crossed, you gave him a mildly reproachful look. “Gojo, you’ve roused me from my slumber. I trust this is a matter of utmost importance—-” you began, then trailed off as you took in his expression.

He was taut, as though his very sinews were wound tight. Standing rigidly, his jaw clenched, his gaze flitted everywhere but to you. Troubled, you tried, “Gojo?”

At the sound of his name, he looked sharply at you and seemed to gather himself. “Ah… forgive me.” He took a seat and smiled, though it didn’t reach his eyes, artificial. “How is your recovery?” You eye him suspiciously. His leg is moving up and down anxiously, the action minute in a way that makes you think he’s not aware of doing it. The tight and strained smile on his face seems uncanny, his concern seeming out of place. “Well, as much as it can be for me bleeding out pints and pints of blood from my head,” at that, you note that he subtly flinches, “but all is well!” You spread out your arms and give him a dazzling smile, and his eyes follow. “I’m sure my mama and my maid are itching to rush in here to prepare me for the house party.” Giving him a playful glare, you continue, “And just for the pain you caused me, you ought to have two dances and a few pastries prepared tonight.”

At that, he looks at you for a quick glance before quickly turning away, seemingly collecting himself. In what you could observe in his previous expression, you were surprised to see yearning present in his blue eyes, filled with feelings that perplexed you. Gojo was acting very odd.

Then, he drew in a measured breath, his jaw clenched as if bracing himself for what he was about to say. He finally looked at you, a shadowed intensity in his gaze that made your heart beat faster—not in the way it used to when his eyes sparked with wit, but with a sense of foreboding.

"Miss Itadori," he began, his voice lower, lacking the familiar, teasing cadence. "I must apologize for the trouble I have brought upon you. I was… heedless, perhaps even reckless, and it seems I have caused you nothing but suffering."

You frowned, confusion beginning to bubble beneath the surface as he paused, clearly struggling to continue. He seemed almost pitiable, looking down at his hands, which were tightly woven together, his knuckles pale. But pity was not a feeling you had patience for. Not now. Not with Gojo of all people.

"Trouble?" you repeated, folding your arms. "I do believe that's an understatement, my lord. A mere misstep, surely?"

His eyes flicked back to yours, the corner of his mouth tugging in a grim semblance of a smile. "Understatement or not, it remains the truth," he replied, his voice nearly a murmur. "I cannot in good conscience continue this… attachment we have formed. The position of courtship our mamas have placed us in. For I fear it is you who stands to lose most dearly if I remain by your side."

You stiffened, his words crashing over you like a cold wave. "Attachment?" you said, bitterness coloring the word. "Do not dress it up with such kind words, Lord Gojo. An attachment is something formed with care, with respect—qualities you seem to find inconvenient."

He winced but did not break eye contact. "I will not argue with you," he said softly, voice steady in its regret. "Perhaps I am no master of attachments, nor have I ever claimed to be. But know that I had never wished to see you harmed—"

"Harmed?" you interrupted, your voice growing louder as anger swelled within you. "Is this some twisted apology, then? A show of remorse for the inconvenience of your whims?"

Gojo opened his mouth to respond, but you did not allow him the chance.

"How very noble of you, Lord Gojo," you continued, your voice dripping with sarcasm. "After all this time, to simply say, 'Forgive me; I shall now remove myself from your life,' as if that makes up for the chaos you’ve brought upon me? As if I am but a pawn to be moved at your discretion?"

His face softened slightly, as if he were seeing something in you he hadn't fully expected—a quiet resolve beneath your anger, a dignity that refused to be bruised. "No, Miss Itadori," he said quietly. "I do not wish to see you as a pawn. After all, from what I understand is that you do not know what you desire—and I would only be exploiting that. I only… I only wish to relieve you of the burdens I seem to bring."

You laughed, the sound bitter and laced with fury. "Know what I want? As if you do, dropping pretenses with commoners and putting on your mask for the ton. And relieve me? I don’t think you understand what it is you’ve done, Gojo."

This conversation was dangerous. The emotions you hid under the air of nonchalance were steadily bubbling up, and it seemed that now, your sentiments were threatening to boil over at the sheer audacity of Gojo breaking off this arrangement, of what the ton would think today if he were to be avoiding you like the plague.

He flinched at the sound of his name on your lips, spoken with such venom. A muscle in his jaw ticked, but he made no move to respond, simply watched as you gathered your thoughts, your gaze piercing.

"All this time," you said, each word sharper than the last, "I was led to believe there was something more to your attentions. And now, you simply wash your hands of it? You think yourself a gentleman for doing so?"

"Miss Itadori," he said, his voice strained. "I am—"

"You are a coward," you spat, and his eyes widened, the faintest hint of pain flashing in their depths. "Yes, that’s right. A coward, for trying to protect yourself under the guise of protecting me. All this talk of 'relieving me'—do not act as if your decision was made out of kindness." (a/n: OH NO SHE DIDNTTTTT)

"Do you not understand?" he interjected, a sudden fierceness in his voice, his composure beginning to slip. "This is not some petty whim, nor a game. My intentions… they were never meant to bring you harm, but they did. And I cannot bear to see it continue."

"Bear to see it continue?" you repeated incredulously. "Do you think I am some doll, some trifle to discard at your convenience?"

"That was never my intent!" he exclaimed, voice rising in frustration. "If you would but see reason—"

"Reason? From you?" you laughed bitterly, barely able to contain the fury welling up inside you. "Your idea of reason is nothing more than self-preservation, Lord Gojo. How convenient it must be to absolve yourself of guilt by deciding I am better off without you."

He fell silent, the anger in his face ebbing, replaced by a kind of desperation. "You do not understand," he said, quieter, almost pleading. "If I were to stay… if I were to court you in earnest, it would not be the life you think it to be."

"Then let that be my choice to make," you shot back, crossing your arms. "But no—this is not about my well-being, not truly. It is about you, Gojo. It has always been about you."

A tense silence stretched between you, filled only by the soft, uneven breaths that escaped both of you. For a moment, neither dared to speak, both caught in the tangled emotions that hung thick in the air.

Finally, Gojo looked down, his eyes shuttered, his voice weary. "Then hate me, if you must. But I am done with this charade."

"Hate you?" you repeated, the word tasting strange on your tongue. "No, Lord Gojo. Hatred would imply I care enough to feel anything toward you."

Your entire body seethed with fury, every muscle trembling with the strain of keeping yourself upright, sitting on your bed. You couldn't storm out—not with your wounded leg refusing to bear even a fraction of the anger swelling within you. Instead, you pushed yourself up on shaking arms, glaring at him with such venom that he instinctively stepped back.

"Get out," you spat, the words laced with ice, your voice rising as if to fill the entire room. "Out! Now, Gojo—leave me this instant!"

He froze, his shoulders tense as he looked at you with something unreadable, but he made no move toward the door.

"I said leave!" you shrieked—your voice shrill—the strain of it making you nearly lose balance, but you didn't care. Hot tears stung your eyes, and you bit them back, forcing yourself to breathe through the betrayal clawing at your chest. "Take your false apologies, your noble pretensions, and get out of my sight. Go, and never, ever darken my door again."

His mouth opened, as if he might say something—perhaps even something that might soothe the jagged edges of your heart. But your furious gaze dared him to try.

With a pained expression, he finally gave a nod, stepping back toward the door. He lingered for a moment, one last helpless look crossing his face before he turned away, leaving without another word.

The door clicked shut, and you were left alone, shaking with fury, your breath ragged. Your eyes were still on that door, your heart racing, as though expecting him to come back, to take it all back, to be the man you'd witnessed yesterday. But deep down, you knew he would not return.

The first glimmers of morning filtered through the heavy drapes as you stirred awake, still dazed from the events that had left you bedridden. The memories of Gojo’s departure settled heavily on your chest, like a stone dropped in a lake, rippling outward and disturbing any possibility of calm. Your mind drifted over the previous night’s argument, replaying words, and then, with a cringe, the heated moments where you felt every last ounce of self-restraint slip from your grasp.

A small part of you reasoned that you may have been rash—that your anger and hurt had overtaken good sense. After all, it was you who deemed your and Gojo’s match impossible. So why were you so hurt?

Before you could linger on these thoughts, there was a soft knock at your door.

"Come in," you murmured, propping yourself up gingerly.

What followed soft footsteps was Choso, his gaze warm and steady as he entered, carrying the ease of familiarity that only he could. As he approached, he pulled a chair beside your bed and gave a faint smile.

Choso stepped in quietly, his face softened by a rare smile as he approached. “Awake at last,” he said gently, taking a seat beside you with the care one might afford a delicate flower. "I was beginning to think you'd sleep through the entire house party."

He reached out, his hand resting on the crown of your head, fingers slipping through your hair in a soothing rhythm. The fondness in his touch eased the last of the stiffness in your frame, a balm against the soreness both physical and emotional.

“You worry too much,” you muttered, allowing yourself to lean into the comfort he offered, your voice softening as his hand continued to gently scratch at your scalp.

“You look better today,” he said softly, continuing his familiar, soothing rhythm with his fingers. “Though, I’ll admit, you gave us all quite a scare.”

You managed a small smile, feeling the tension in your shoulders ease slightly under his touch. “I suppose I was overdue for a bit of excitement,” you murmured, though the attempt at levity felt thin, even to your own ears.

Choso’s hand stilled momentarily, and his gaze grew searching as he looked at you. “What truly happened yesterday?” he asked, his voice low with concern. “There’s more here than an unfortunate fall, isn’t there?”

You stiffened slightly, glancing away from him. “It was nothing,” you replied, willing your tone to sound convincing. “Just… an ill-timed accident. Nothing to concern yourself with.”

But Choso was not so easily deterred. He watched you closely, his brow furrowing with worry. “You’ve always been a poor liar, sister,” he murmured. “If something happened, you know you can tell me. I only want to understand.”

The quiet earnestness in his tone gnawed at you, and for a moment, you considered confiding in him. But the idea of revisiting last night’s turmoil felt too raw, too immediate. “I’m fine, truly,” you insisted, meeting his gaze with as much steadiness as you could muster. “It was… nothing that can’t be mended with rest.”

Choso’s gaze lingered on you, his fingers resuming their gentle tracing along your scalp as if that alone could soothe whatever burden you were carrying. “Well,” he finally said, his tone filled with fond exasperation, “I won’t press you. But I trust you’ll speak of it when you feel you are ready.”

You gave a slight nod, grateful for his restraint. The quiet between you was comforting, grounding, as he continued his rhythmic motions, easing your thoughts in a way that words could not.

After a long moment, he broke the silence again, his tone lighter this time. “On a more cheerful note,” he began, a faint smile playing on his lips, “you’ll have another visitor tomorrow.”

“Oh?” you asked, raising an eyebrow, though a part of you already guessed who he meant.

“Yes,” he confirmed, a knowing glint in his eye. “Sukuna received word of your injury and set off at once. He’ll be here by morning.”

You let out a small breath, a mixture of relief and trepidation filling you. “Tomorrow, then,” you repeated, feeling a hint of warmth at the thought. “It seems my brothers cannot resist making a fuss.”

Choso chuckled, squeezing your hand gently. “It’s what we’re here for. And perhaps Sukuna’s presence will help you feel a bit more at ease during the house party. He’ll see to it that no one bothers you unduly.”

You couldn’t help but smile at that, the thought of Sukuna’s reassuring, if overbearing, presence lifting your spirits slightly. “Well, at least there’s that to look forward to,” you murmured, and, with a soft sigh, leaned back against your pillows, letting Choso’s calming presence ease the lingering shadows of last night’s ordeal, even if temporary.

For you had a beast of a social gathering to deal with today, the same one where the ton would descend upon the outcome of your match, ready to laugh at you: the house party.

“He what?”

You flinched, scowling as you clutched your ears. Nobara’s shrill voice was not helping your recovery, nor were her rough combs through your hair; but alas, beauty has a price, and it’s one you’re reluctantly willing to pay. You oh-so terribly wanted to politely decline the formal invitation, but it seemed that the moment you woke, your mother was dead set on getting you ready for what she thought was your engagement party. Little did she know that her not so future in law had gotten rid of you as if you were a stray animal latched onto him, but who were you to burst her bubble?

Perhaps you ought to dread the inevitable fallout from your mother when the truth emerged, but you consoled yourself with the thought of drowning your sorrows in champagne tonight, delaying her wrath for at least a little while. Besides, the prospect of Sukuna’s impending arrival tomorrow brought you some comfort; his unruly nature often served as a distraction from your own troubles.

You sighed heavily, meeting Nobara’s furious gaze in the mirror. “He merely said he wished to absolve me of any trouble he had caused.”

“Good riddance!” Nobara shrieked, her hand furiously waving around the hair brush in a way that made you wary, for it would not be pleasant for it to make contact with your already tender head. “He was never the one for you to pursue, for he lacks the honor of a true gentleman! And yet—oh, heavens!” She gestured at you accusingly with the brush, her tone turning sharp. “Why, pray, do you appear so disheartened?”

You open your mouth immediately, indignant and expecting your wit, your usual ally, to conjure a response for you, only to be left open-mouthed when it came up short. Nobara seemed to sense your hesitance, opening her mouth to unleash yet another accusatory and reprimanding remark, but you quickly moved to fill your silence. “I suppose I am just…offended that he dare reject me, the diamond. The ton will seize upon this dissolution with glee. They shall revel in my supposed failure, for it will be indicative of my failure to the Queen.”

Nobara arched a brow, her skeptical silence speaking volumes. She clearly wasn’t convinced, and before she could level another charge against you, a knock sounded at the door.

“Sister, are you decent?”

“Enter, Choso,” you called out, hastily adjusting the neckline of your pale pink gown and straightening the strand of pearls around your neck.

Nobara opened the door, though she made no attempt to soften her posture. The hairbrush remained firmly in her grasp, poised like a weapon, and Choso cast it a wary glance as he stepped inside. His presence brought a sense of calm, even as his expression betrayed some inner turmoil. He hesitated for a moment before moving to sit at the edge of your vanity, his gaze flickering between you and Nobara.

You narrowed your eyes, suspicious of his silence. “Well, brother? Out with it,” you urged, though your voice lacked its usual sharpness.

He sighed, clearly reluctant. “Very well,” he began. “Pray, hear me out. You know I have never hidden my disapproval of Lord Gojo.” At the sound of that name, you flinched, though you quickly masked it with a curt nod. Choso continued nonetheless, his tone steady but earnest. “In light of recent events, I have taken it upon myself to form…a contingency plan of sorts.”

Your curiosity was piqued, though Nobara snapped at you to sit still as she continued combing through your hair. “Go on,” you said, trying to sound nonchalant.

Choso leaned forward slightly, his voice lowering as though to ensure Nobara wouldn’t interrupt. “I have had the pleasure of conversing at length with Duke Nanami.”

You arched a brow, intrigued despite yourself. “The Duke Nanami?”

“Yes,” Choso confirmed. “He is an esteemed gentleman of considerable character, and, as fortune would have it, he is not currently pursuing anyone this season.”

Your lips parted, but no words came. Choso’s intent was clear, and the weight of his proposition settled over you like an unexpected storm. Nobara, meanwhile, had stilled entirely, her hairbrush forgotten in her hand as she turned to gawk at your brother.

“Is this,” she began, her voice disbelieving, “your solution to Gojo’s appalling behavior? To thrust her into the path of another?”

Choso shrugged, unbothered by her skepticism. “A better match by far, I would argue. The Duke has no such inclinations to trifling or dishonor.”

You sighed, leaning back as the tension in the room thickened. “And what makes you so certain the Duke would even entertain such an arrangement?” you asked, your voice tinged with a weariness you hadn’t intended to show.

Choso gave you a small smile, his hand reaching out to pat your shoulder. “Leave that to me, dear sister. For now, focus on enduring tonight’s ordeal. Tomorrow, you may take comfort in Sukuna’s arrival—and in the knowledge that your prospects are not as grim as they seem.”

You exhaled, unsure whether to feel gratitude or exasperation, as Choso rose from his seat. Whatever plans he had in motion, they would unfold in time. For now, you could only prepare yourself for the chaos that awaited.

Gojo had outdone himself. Truly, magnificently outdone himself.

From the moment you entered the house, your hand resting lightly on Choso’s arm, the stares began. They weren’t the polite glances reserved for new arrivals at such gatherings—these were sharp, lingering, and accompanied by a cacophony of whispers that only heightened your unease.

You straightened your back, chin held high, determined not to give any of them the satisfaction of seeing your discomfort. But it was impossible to ignore the way every eye seemed to follow you, every head turned to observe as you passed. Whatever it was that had stirred this interest, you were certain Gojo was at the heart of it.

Feeling the oppressive smog of stares, you knew where you could find solace: the drinks table, where you could down a flute of champagne alongside your stress. And right as you excuse yourself from Choso’s hold, who is now looking in the general direction of some men—particularly a gaggle of men that included Lord Geto and Duke Nanami, who were looking at something in the direction of the dance floor with interest. As you walk, you take in the scene: a beautiful chandelier, and red drapings and coverings embellished with gold, a bloody alternative to the Gojo icy blue. You’re not sure why today’s ensemble of colors didn’t include blue, but you believe it is fitting for what’s going to happen to you after this party is over and your mother finds out about the elephant in the room.

And as you glance longingly at the couples gliding across the floor, their movements synchronized with the lilting strains of the orchestra, your breath catches.

It is then that you see him.

Gojo Satoru is spinning a girl across the dance floor, his coat tails trailing like ribbons in the air. His lips move as he speaks, the tilt of his head paired with that too-familiar smirk. His partner laughs at something he’s said, a soft sound that reaches you even from this distance. You could almost identify her—there is no debutante in the ton you have not cataloged, no rival whose dossier you do not possess—but tonight, it does not matter. She is just a blur of chiffon and curls, another face in a sea of women enthralled by him.

Your chest tightens as you take in the scene, a memory unspooling unbidden.

Is this what your first dance with Gojo had looked like to others? Did you appear as enraptured as this girl, your steps as confident and sure beneath his lead? You remember his light touch at your back, his questions whispered so quietly you doubted even the orchestra could eavesdrop, his eyes full of a charm so practiced it felt like a spell cast just for you.

And yet now, the spell is broken.

He is steering her—steering everything—with such ease that it almost makes you laugh. Were he not so infuriating, you might have admired his grace, the way he seamlessly dominates both the conversation and the dance. His amusement is evident in the quirk of his brow, the corners of his mouth curling with every word she utters, no doubt answering his questions with meek enthusiasm.

She is simple. You can tell from the way he looks at her, the way he pauses before replying as if translating his own thoughts into something digestible for her. The way she beams at him—unaware of how deeply he calculates every move—is almost endearing. Almost.

He is drawing the same conclusions he did of you. Simple, lacking substance.

The thought leaves a sour taste in your mouth.

But then the girl laughs again, a little too loud, and Gojo’s expression flickers for just a second—long enough for you to notice. His smile tightens, his gaze sliding briefly across the room as though searching for something more stimulating. It is instinctual, this glance, and his head tilts in such a way that you know it will land on you if you linger a moment longer.

Your heart stutters in protest, your legs already moving.

Punch table. Right.

As you near it, you grab the closest drink and down it one sip, desperate for the cool of the liquid to calm both your throat and your heated mind, furious with thoughts and anxiety of those around you. And it was just as you begin to set down the cool glass that in your periphery comes the man who soon tests your resolve.

“Miss Itadori,” a voice drawled behind you, the unmistakable lilt of smugness weaving through it.

You turned, and there stood Naoya Zen’in, his grin as unctuous as ever. He bowed slightly, though the gesture felt more like mockery than courtesy. “I must say, you are positively radiant tonight.”

You inclined your head ever so slightly, each movement deliberate. “Mr. Zen’in. How kind of you to say.”

He grinned, and the sight was unsettling, a serpent preparing to strike. “Radiant, yes. A pity Lord Gojo has finally come to his senses and moved on. I thought the two of you might actually prove interesting.”

Your stomach churned, but you kept your expression serene. “I fail to see how my affairs are of interest to you, Mr. Zen’in.”

“Oh, but they are,” he said, stepping closer, his voice lowering as though he were sharing a confidant’s secret. “Everyone is watching, you know. Wondering why Lord Gojo is…otherwise occupied tonight.” He tilted his head, motioning discreetly toward the mantle, a few meters away, where Gojo stood, entertaining and welcoming another lady.

Your eyes betrayed you, flicking briefly in that direction. Gojo’s figure remained in your periphery, still close enough to notice but far enough to be unattainable. You tore your gaze away, unwilling to feed Naoya’s glee.

Naoya leaned in, his tone growing more audacious. “Quite the spectacle, wouldn’t you agree? Though perhaps it’s for the best. You have much to offer, Miss Itadori—breeding hips, for one.”

The words hit you like a slap, your mind reeling in fury and disbelief. Your breath hitched, but before you could muster a scathing retort, something else caught your attention.

Gojo’s hand, resting casually against the column, tightened into a fist. The movement was subtle, but unmistakable—a barely contained tension that you might have missed if you weren’t already attuned to his every breath, his every twitch.

Still, you refused to look directly at him. Whatever he felt, it mattered not.

“Mr. Zen’in,” you began, voice icy and measured, though the rage burned beneath the surface, “your comments are as inappropriate as they are unwelcome. I suggest—”

“Sister.”

Choso’s voice interrupted like a lifeline thrown to a drowning sailor. You turned to see your older brother approaching, his expression calm but his eyes sharp as they darted between you and Naoya. He came to your side, his imposing presence creating an impenetrable wall between you and the unwelcome intruder.

“Mr. Zen’in,” Choso greeted with a curt nod, his tone laced with a warning. “I trust you’ll excuse my sister. She and I were just about to take a turn about the room.”

Naoya’s grin faltered, but he recovered quickly, stepping back with a mocking bow. “Of course. Do enjoy your evening.”

Choso wasted no time, offering his arm to you. You took it gratefully, your legs unsteady as he guided you away from the scene and toward a quieter corner of the ballroom.

“Are you all right?” he asked softly, his voice gentle but firm, as though bracing himself for a truth he might not like.

You nodded, though the words escaped you. Your hands trembled slightly, and Choso placed his over yours, steadying you. “I saw the way you looked,” he murmured, his voice quieter now. “At Lord Gojo.”

Your breath caught, but you said nothing, focusing instead on the steady rhythm of your brother’s steps.

“Whatever he’s done—or hasn’t done—you are worth far more than his regard,” Choso continued, his tone resolute. “Do not forget that.” A pause. “Are you all right, Sister?”

“I am fine,” you lied, though your trembling hands betrayed you.

The evening only worsened from there.

More and more, you felt the weight of curious glances, the whispers growing louder as the night wore on. The absence of Gojo’s attention did not go unnoticed—least of all by your mother, who approached you and Choso with a determined expression, her fan snapping shut with a sharp flick of her wrist.

The warmth of the ballroom’s lights could not thaw the ice that slipped down your spine as your mother approached. Her movements were poised as ever, but the tightness in her lips and the fury barely hidden in her eyes told you everything. She stopped just short of you, her fan snapping shut with a sharp click that made you flinch.

“Explain,” she hissed, her voice low enough to avoid drawing the attention of onlookers but sharp enough to carve into you.

Your breath caught in your throat. You glanced towards Choso for reinforcement, but his furrowed brow and subtle shake of his head told you he would not intervene—not yet.

“I… don’t understand, Mother,” you murmured, though the words tasted hollow even as you said them.

“Do not toy with me, child,” she snapped, her tone still hushed but more cutting. “The entire room is whispering. Where is Lord Gojo? Why has he not so much as glanced in your direction tonight? Why is he—” Her eyes darted to the waltz floor, where Gojo had just excused himself from yet another partner. “Why is he dancing with others while you stand here like a forgotten debutante?”

The words hit like a slap, and you flinched again, your gaze falling to your gloved hands. You wanted to speak, to explain, but the lump in your throat grew larger with every second.

Her voice softened but grew no less fierce. “What have you done?”

Your chest tightened, and for a fleeting moment, you considered telling her everything—about the garden, about Gojo’s words, about how utterly humiliated you had felt. But then the heat of the ballroom pressed down on you, the glances from curious onlookers prickling your skin like needles.

You couldn’t. Not here.

So, you said nothing.

The silence between you stretched thin, your mother’s patience fraying with every passing moment. Finally, she straightened, her lips pressed into a pale line. “This is how you repay all that has been done for you?” she whispered, her voice trembling with restrained fury. “Do you even comprehend what this will do to your prospects? To this family? You have disgraced yourself, and worse—you have disgraced me.”

Her words left you hollow, the guilt settling into the spaces where indignation might have taken root. Still, you could not look up, nor could you summon any defense.

Your mother’s fan snapped open again with a sharp flick, the motion more violent than graceful. “We are leaving,” she declared, turning abruptly on her heel. “Now.”

Choso stepped closer, his hand brushing lightly against your elbow as if to steady you. You dared a glance at him, finding his gaze steady and quietly supportive. It was only his presence that kept your legs moving as you followed your mother toward the grand doors.

The weight of the room’s collective gaze bore down on you with every step. The music swelled in the background, mocking you with its cheerfulness. As you neared the exit, your feet faltered.

And then you saw him.

Gojo.

He stood near the edge of the dance floor, his posture uncharacteristically tense, his jaw clenched tightly, his usual easy confidence dimmed. His head tilted slightly, his eyes cutting through the crowd to meet yours.

Your breath hitched. In his gaze, you saw regret—yearning, even—and something else you couldn’t quite name.

But it didn’t matter.

You tore your eyes away, your jaw tightening as a steely resolve settled over you.

You would not break.

Not here. Not now. Not for him.

As you stepped into the cool night air, you drew in a deep breath, willing the ache in your chest to dissipate. Gojo Satoru had taken enough from you. Your heart, your dignity—no more.

If he thought you would crumble, he was mistaken.

He would regret this, you vowed silently.

And you would make certain of it.

The morning that came in a few days was no less disheartening than the night of the house party. The morning sun filtered weakly through the gauzy curtains of the drawing room, casting pale, lackluster patterns on the carpet. Even the sunlight seemed hesitant, as if it knew it had no place in the solemn atmosphere that hung over your family.

Even Yuji was solemn as you all sipped on your tea, the drawing room oddly quiet as you reflected in the aftermath of the past few days. The events of the house party still loomed over you. Your family’s hasty departure had been punctuated by the sight of your mother in whispered conversation with Duchess Gojo, their faces tight with the bitterness of dashed expectations. You had no doubt they had commiserated over your perceived recklessness and Gojo’s insolence, lamenting how the perfect match they had orchestrated had unraveled before their very eyes.

You had borne it all in silence.

But now, in the cold light of morning, your resolve felt brittle.

Your hands tightened around your teacup as you stared into the amber liquid, your reflection rippling with each shallow breath you took. Independence? That word felt hollow. You had fought for it, yes, but at what cost? The ton’s whispers had already begun. You could feel their weight pressing on you, suffocating in their judgment. The laughter and speculation at your expense would echo through parlors and ballrooms for weeks, if not months.

And yet, deep down, there was a spark of defiance. They thought this was your undoing. They thought you would crumble. But they had no idea.

"Why does it feel like we’re mourning?" Yuji muttered, breaking the silence. His voice was quiet, but the sarcasm was unmistakable. "It’s not as though anyone has died."

Your mother’s sigh this time was louder, sharper, and followed by a pointed glance in his direction. “Yuji, do not jest,” she snapped. "This is no laughing matter."

Choso, who had been reclining with one arm draped lazily over the armrest of his chair, sat up straighter. “Mother,” he said cautiously, his voice soft but steady, “I think it’s time we address what’s truly troubling you.”

Her handkerchief stilled in her lap. For a moment, the room was silent again, the tension thick enough to choke on.

“Troubling me?” she repeated, her tone icy. “You think I am troubled, Choso?”

“Everyone is troubled,” Choso replied, his gaze flicking briefly to you. "But perhaps if you said what’s on your mind, we could all breathe a little easier."

Your mother’s lips thinned as she sat up straighter, her shoulders stiff. “Very well,” she said sharply, “if you must know, I am ashamed.”

The word hit you like a slap, even though you had expected it. You gritted your teeth, staring down at your tea to hide the flush of anger and embarrassment creeping up your neck.

“Ashamed of what?” you asked quietly, your voice tighter than you intended.

“Of you,” she replied without hesitation. “Of the scandal you have brought upon this family. Do you think your actions have no consequences? Do you think the ton will simply overlook your…” She hesitated, clearly searching for the most cutting word. “Your antics with Lord Gojo?”

You felt Choso stiffen beside you, his protective instincts clearly flaring, but you held up a hand to stop him. You wouldn’t hide behind your brothers—not this time.

“I have done nothing wrong,” you said, your voice low but firm. “Gojo and I made a mutual decision that we were incompatible. We—”

“You humiliated yourself!” she interrupted, her voice rising. “And by extension, this family. Do you think people are speaking of him? No! It is you they ridicule. It is your name they sully.”

Your chest burned with anger and hurt, but before you could retort, Yuji shifted uncomfortably, muttering, “This is getting out of hand…”

“You think I care about their opinions?” you snapped, finally lifting your gaze to meet your mother’s. “The ton has always been cruel. They would find a reason to gossip no matter what I did. I refuse to live my life pandering to their expectations—”

“And look where that refusal has left you,” your mother interrupted, her voice shaking with fury. “Unmarried. Ruined. Who will have you now?”

You flinched, the words cutting deeper than you thought possible. Your lips parted, but no words came out. What could you possibly say to that?

The silence that followed was deafening.

Until a voice, smooth and amused, broke it.

“Now, now, Mother. I know you’ve always had a flair for the dramatic, but let us not turn your theatrics onto our dearest sister.”

All heads turned toward the entrance, where a figure lounged against the doorway, his presence commanding without even trying. There he stood—Sukuna, your brother, looking entirely too pleased with himself for someone who had kept you waiting for days. Both you and Yuji involuntarily gasped in excitement, while Choso only shook his head in amusement and crossed his arms.

He strode into the room with an air of nonchalance, his tailored attire immaculate, his smile one of mocking amusement. His gaze flicked to your mother, then to you, lingering for a moment as if to appraise the damage left in her wake.

“Good morning,” he said smoothly, the corners of his mouth curling. “I trust I’ve arrived in time to save you from a most tiresome sermon.”

Your mother bristled, but her voice faltered, her ire now redirected. “Sukuna, this is hardly the time for your irreverence—”

“And yet here I am,” he interrupted, dropping into a chair with the kind of ease that only Sukuna could muster. He leaned back, his sharp gaze softening just slightly as it fell on you. “I thought you might appreciate a reprieve. You seem to have had enough lectures for a lifetime.”

You could feel tears welling in your eyes. You had severely underestimated how much you missed your elder brother, seeing his presence stir a fondness and comfort you hadn’t felt ever since he left for Europe. And it seemed that your brothers shared your sentiment; Yuji was basically on his haunches, doing everything he could not to leave his chair to tackle Sukuna, and Choso barely holding in an amused smile.

“Still causing chaos wherever you go, I see,” Choso said dryly, though there was no malice in his tone.

Sukuna smirked. “Someone has to keep things interesting.”

Your mother huffed, her lips pressing into a thin line as she rose from her seat. “I refuse to be made a fool in my own home. Sukuna, do try not to corrupt your siblings further while I attend to matters of actual importance.” She swept out of the room with her usual imperious grace, leaving a silence in her wake.

As soon as she left, you left your chair to basically jumping on him, hugging him tightly as he reciprocated your hug with wrapping his big arms around yours with equal fervor. “Kuna,” you whispered, burying your face into his chest as the tears started flowing. His presence surrounded you, offering you a comfort and familiarity that the eventful weeks, ever since your debut, hadn’t offered

Sukuna looked down to you with a raised brow as he patted your head affectionately. “Well, that was entertaining. Now, who’s going to tell me what truly happened while I was gone?”

prev. the fall | next. soon!

general masterlist | series masterlist

a/n hi everyone!!! so i lied and said the update wasn't gonna take as long #womaninmalefields BUT thank you for your patience <3

so uh....we are now gonna enter the arc with DRAMAA. there will be yearning, there will be angst, and soon after, there will be fluff. idk if anyone needs to hear this, but, again, this series will have a happy ending. if anyone is sad, don't worry. i'm going to make gojo grovel <3

SUKUNA IS BACK SUKUNA IS BACK what do we think?! spoiler alert this is what sukuna will wanna do to gojo after reader spills the tea

THANK U FOR READING!!! rest assured reader a BADDIE there will be some showing ankles and lowering bustlines to start our reputation era and infuriate gojo but u didnt hear that from me !!!

comment and reblog to let me know ur thots ;3

TAGLIST:

@ncitygreen @backstagepaige @serinatly100986 @nappingmoon @coochellati

@extremelyexh4usted @yoshisaurmuchakoopas @nixiepixee @generalstephkenobi @vernasce-blogs

@byhuenii @geniejunn @a-girl-with-thoughts @dazedin2d @chuuqxs

@megumiivs @anthastudios @arranacosmist @arishaxml @jingyuun

@undercooked-chaos-noodle @jaegersity @camzzn @bluelai @1sweetheart1

@hyori2 @babyblue0t7 @iwanttoberich420 @rosso-seta @ladytamayolover

@kalulakunundrum @r0ckst4rjk @mo0sin @angelina7890 @jaeminaur

@yamiyas @cherry-blossoms-in-red @r3inae @lagataprrr @sasfransisco

@fortunatelyfurrygiver @aurora-tiny @gojonegs @luna-v-roiya @xxemmarldxx

@soobssedwithyourex @manyno @samkysnks @stefnarda @bbqsauceonmytitties2

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lupinqs · 3 days ago

Text

CRUSH CULTURE ━━ paige bueckers x reader

☆ ━ summary: paige has a hopeless crush on you, a cheerleader.

☆ ━ word count: 5.4K

☆ ━ warnings: alcohol consumption, kissing, this one’s tame

☆ ━ links: my masterlist, inspired by this request (lol i know this was forever ago)

☆ ━ author’s note: hiii i hope y’all enjoy—lemme know if you guys want a part 2 and if so send in ideas for it!!! i have been hopelessly uncreative recently!!! also yes i have been writing tmtc and safe and sound i promise—new chapter of tmtc should be out sometime this weekend, no idea on safe and sound because goddamn that fic takes me forever to write

PAIGE HAS ALWAYS noticed you—though, funny enough, at first it wasn’t because you cheered. That part didn’t even register until her junior year, when she started paying attention to things off the court. But she’d first noticed you back in her sophomore year, in that one class she didn’t feel like she needed at all. She’d often zone out, either doodling in the margins of her notebook or letting her eyes drift around the room as she let her mind wander. Her gaze would skip over classmates until, one day, it stopped on you.

And, God, she remembers that moment. The way she’d blinked, like she needed to reset her brain for a second because… well, you. It wasn’t anything specific, nothing she could even name at the time. But there was this something about you that made her stomach flip. From then on, whenever she zoned out, her eyes would find you before she even realized it. You’d be focused on your notes or lost in thought, completely unaware, and Paige would catch herself staring just a little too long.

She’d think about talking to you, but for some reason, you made her nervous. And that wasn’t something Paige was used to feeling—not with girls. She’d been confident her whole life, even a little cocky when it came to flirting, and her reputation certainly proceeded her. But with you, all of that confidence vanished. Her brain would go blank, her hands would fidget, and her heart would pound just watching you, sitting across the room. The idea of walking up to you, striking up a conversation, felt almost laughable. You’d somehow managed to turn her, Paige Bueckers, into a stammering mess with just a look.

And then there was the other part—the part that kept her from making a move even when she managed to work up the nerve. You looked so…straight. She knows it’s a stupid assumption, but something about the way you carried yourself—she’d convinced herself that you had to be straight. Maybe it was the way you fit in with the other girls, how they flocked around you like they were all in some effortlessly straight, picture-perfect group. Whatever it was, Paige felt certain you’d never look at her the way she looked at you.

So she let it go, or at least, she tried to. But you kept slipping into her thoughts, distracting her in that class, making her mind wander back to you when she least expected it. Her silly little crush on you lingered all through sophomore year, and even when summer rolled around, she found herself thinking of you every now and then, imagining what it might have been like to know you outside of that class.

Then junior year rolled around, and her whole world changed with that ACL tear. Benched for the season, her focus shifted in ways she never anticipated. Instead of charging down the court, she found herself sitting on the sidelines, watching, observing things she normally wouldn’t have noticed. And it was during one of those games, one of those long, frustrating nights when she just wanted to play, that she saw you again—this time, on the court as one of the cheerleaders.

At first, she couldn’t believe it. She actually had to blink a few times, like her brain was trying to catch up with what her eyes were seeing. This was her third year at UConn, and she hadn’t noticed you were a cheerleader ever. Maybe she really was just unobservant, but it truly shocked her. You looked completely different from how you did in class—more animated, more alive, like you were in your element. And when you started that long, impressive tumbling pass down the court, her jaw dropped. She didn’t even know you could do that, and it left her staring, heart hammering in a way she hadn’t felt in a long time. (And maybe the tiny little uniform helped speed it up, too.)

From then on, Paige couldn’t keep her eyes off you during games. She’d always find herself watching you, wondering if you’d somehow feel her gaze, hoping that maybe, just once, you’d look her way. She spent so many games like that—sneaking glances, letting her mind wander, imagining what it might be like to finally work up the nerve to talk to you. But game after game, you never seemed to notice her, too focused on your routines, your teammates, and the cheering crowd around you.

And Paige? She knew she was hopelessly stuck. She’d sit there on the sidelines, feeling ridiculous, pining after a girl she couldn’t even talk to, a girl she thought she’d never really have a chance with. It was her worst crush yet—the kind that left her feeling off-balance, stumbling over her own thoughts, trying to convince herself that it didn’t matter—and she’d never even spoken to you. But each time she saw you out there, smiling, moving with that same effortless grace, she’d feel that same pull, that same quiet, persistent ache.

It’s senior year now, and Paige has one thing on her mind: basketball. It’s been more than a year since she’s played, and she’s determined to make this season count. All summer, she told herself the same thing over and over: Stay focused. Don’t get distracted. No more drifting thoughts, no more daydreams, and absolutely no more pointless crushes on girls she can’t have. And especially no crushes on you.

You, the cheerleader she’d spent too many junior year games staring at from the sidelines. You, the girl she still thought about when her mind wandered late at night, even though she knew better. No, this year, she was locking in. She’d worked too hard, too long, to let her head get all twisted up over you again. She was here to play basketball, not to chase after some unattainable crush.

But as she jogs onto the court for warm-ups, trying to ignore the butterflies that come with her first game back, her eyes somehow find you anyway. Just like they always do. And it’s like no time has passed at all. You’re laughing with the other cheerleaders, your hair perfectly styled in a half-up-half-down, a bow nestled in it, your uniform hugging you just right. The lights catch on your skin, giving you this soft glow, and your smile—God, that smile, so open and sweet and painfully distracting—has her heart skipping a beat before she even realizes it. Paige quickly snaps her eyes away, reminding herself she’s here to play, not to get lost in some imaginary world where she has a chance with you. This is her first game back, and even if it’s just an exhibition against Dayton, she’s got to make it count.

With a deep breath, she manages to brush you off. The pregame excitement kicks in, and her focus sharpens as the game begins. And it’s everything she’s been waiting for—the sounds of the court, the rush of the crowd, the thrill of moving with the ball in her hands again. She’s finally back, and for the first quarter, she’s locked in, feeling the rhythm of the game, feeling unstoppable.

Then it happens. KK makes a bad pass, and Paige is already in motion, chasing down the ball to save it from going out of bounds. She dives, stretching to reach it, but it’s just out of reach. Before she can stop herself, she’s crashing full speed into the sidelines—right into the cheerleaders.

Right into you.

The impact is quick and jarring, and she scrambles to her feet as fast as she can, heart hammering in her chest. She’s prepared to rattle off an apology when she realizes who she’s just barreled into. You’re significantly smaller than her, and her stomach drops as she takes in your wide eyes and the faint wince that flickers across your face. But you handle it with the same grace she’d always admired from afar, waving her off with a laugh and saying, “It’s fine! You’re good!” Your smile is easy, casual, and she’s even more mortified by how sweet you’re being about it.

She tries to apologize again, but you’re already brushing it off with that smile, and she feels her face heating up as she mumbles something unintelligible before hurrying back onto the court. But now her head’s a mess, all her carefully built-up focus gone, replaced by the embarrassing replay of what just happened. She tells herself to get it together, but it’s no use. Her mind keeps drifting back to the look on your face, to the sound of your laugh, to the softness in your smile when you waved her off.

The rest of the game passes in a frustrating blur. She’s off her rhythm, missing open shots she’d normally sink with ease, getting caught in rotations she usually anticipates. By the end, she’s only scored eight points—a painfully low number, especially for her—and she feels the weight of it like a stone in her stomach. She should be thinking about the game, her missed shots, how to get her focus back. But as she sits on the bench, watching the last few minutes tick away, all she can think about is you standing there, laughing off her clumsy collision, looking up at her with that easy, unbothered smile.

So much for not getting distracted.

After the game, Paige is still kicking herself over how sloppy her performance was. She lingers in the locker room, hoping to avoid any unwanted run-ins. But finally, when she’s convinced she’s given it enough time for everyone to clear out, she heads out into the quiet halls of Gampel Pavilion.

Except, of course, her luck isn’t that great. Just as she’s walking out, she spots you—still in your cheer uniform but with a UConn sweatshirt thrown over it, heading down the hall, cheer bag on your back. Her first instinct is to turn around, bolt back into the locker room, and hope to avoid any more humiliation, but it’s already too late. You look up, and your eyes meet, and suddenly she’s frozen in place, panicking because she’s actually staring straight into your eyes.

And then you smile at her. That smile, the one that sends her brain into a meltdown every time. But it’s so much worse now because your smile is directed at her. And, suddenly, you’re walking up to her and saying, “Hey, good game tonight,” and Paige is pretty sure her heart has stopped.

She tries to seem casual, to play it cool, but all she can manage is a shrug and a half-hearted, “Eh, wasn’t my best.” She’s hoping you don’t notice her stutter, but her cheeks are burning, giving her away.

You just wave it off, your dimple showing as you grin up at her. “Nah, this was just your warm-up. You haven’t played in, like, over a year. Next game you’ll drop thirty.”

Paige blinks, and the fact that you know she’s good at basketball—even though everyone knows she’s good at basketball—is enough to send her into a coma, she thinks. “Oh, gosh,” she says, rubbing the back of her neck, struggling to find words. “Gonna have to now, just for you.” The second it’s out of her mouth, she mentally facepalms. That totally sounds like she’s trying to flirt with you.

But you just laugh, eyes crinkling as you look at her, completely unfazed. “I’ll hold you to it,” you say, and that smile doesn’t waver.

There’s a pause, and Paige knows this is where you’re about to say goodbye, and she panics because, after two years of thinking and practically obsessing over you, she’s finally talking to you, and it feels too short, too fleeting. Before she can second-guess herself, she blurts, “Oh—uh, hey, about earlier… when I ran into you. I’m… really sorry about that.”

You shake your head, smiling even wider, brushing it off with an easy laugh. “Don’t worry about it. Happens all the time; more than you’d think.”

There’s something so casual and warm about the way you say it, and she feels herself relax a little, caught up in the fact that you’re looking right at her, not at all bothered, almost… endeared? And for some reason, seeing your dimpled smile has her stammering like she’s never done before.

“So… uh…” Paige stumbles, her words failing, her confidence gone. “Are you, um, going to Ted’s tonight?” She bites her lip the moment it’s out, but she presses on. “You know, a lot of people go there after the first game—it’s kinda, like, a…thing. Which, y’know, I guess you probably already know about because… you’re, like, not a freshman…” She sounds so stupid. God.

You tilt your head slightly, considering, before you smile at her again. “I wasn’t really planning on going, but…” You pause, looking at her with a bit of a spark in your eyes, and for a second, she feels like she might actually combust. “Should I?”

Paige’s eyes widen, and she’s nodding before she can stop herself. “Y-yes! I—I think you’d have a good time.” She mentally scolds herself for the stutter, but you’re just nodding, still smiling, still looking so effortlessly at ease while she’s a nervous mess.

You laugh softly, a sound she’s sure she’ll replay in her head all night, and say, “Alright. I’ll think about it. And if I do decide to go, I’ll see you there, Bueckers.”

And with one last smile, you turn and walk away, leaving her standing there in shock, her heart racing and her mind replaying every word you just said. She’s tempted to pinch herself, convinced this has to be some elaborate daydream because there’s no way she actually just talked to you.

She doesn’t move for a long moment, replaying the way you said her name, the sound of your laugh, and the chance that she might actually see you tonight.

IT’S LATER in the night at Ted’s, and Paige is doing her best to stay composed, talking with one of the guys from the men’s team. Dirty Shirley in hand, she’s feeling just the faintest buzz, not enough to loosen her grip on reality but just enough to feel the edges of her confidence soften. She’s nodding along to something the guy’s saying when, over his shoulder, she spots you walking in.

Paige’s attention falters as she takes you in. You’re in baggy jeans that hang low on your hips, and a leather tube top that clings in all the right places, dipping enough to make her gaze lower slightly. She can barely tear her gaze away as you head over to the bar with a couple of friends, both of whom Paige recognizes from the cheer team. You’re laughing, leaning into one of them, completely at ease, and she can’t stop watching.

She realizes she’s staring a little too long, so she quickly excuses herself, not to talk to you—God, no, she can’t even think straight around you—but to hide by her teammates before she does something stupid. Her teammates notice her the moment she approaches, grinning as they watch her flustered expression.

“You see who just walked in, P?” Azzi teases, nudging her.

Paige groans, cheeks burning. “Don’t start.”

But they’re all laughing, and Ice is elbowing KK with a smirk. Nika, who’s been listening with a barely disguised grin, rolls her eyes. “Okay, this is ridiculous. You’ve had a crush on this girl since, like, forever. Go talk to her.”

“Are you kidding? I can’t. She’s—” Paige doesn’t even finish the sentence, glancing over her shoulder just in time to see you at the bar, waiting for your drink. She’d be lying if she said her confidence hadn’t evaporated the moment you walked in, looking like that.

“Girl boo,” KK sighs dramatically, before grabbing Paige’s wrist and dragging her toward the bar. Paige stumbles after her, mumbling weak protests, but KK is determined, practically hauling her across the crowded floor until they’re standing right next to you. KK orders a Sprite, leaning casually on the bar and glancing over at you with a grin. “Hey, girly pop! You cheer, right?”

You smile, looking more at Paige than at KK, and Paige’s heart thuds against her ribs. “Yeah, I do,” you say, introducing yourself and holding out a hand to KK, but your gaze flickers right back to Paige, who’s half-hiding behind her friend, cheeks pink and looking slightly caught. “Hi, Paige.”

Paige’s voice comes out a little sheepish. “Hey.”

KK smirks, clearly satisfied, and gives Paige a quick wink before excusing herself, leaving Paige standing there alone with you.

There’s a beat of awkward silence as Paige shifts on her feet, trying to keep herself from looking like an idiot, which is hard considering how aware she is of every single thing about you—your posture, your smile, the way you’re leaning in just close enough that she can catch a faint hint of your perfume.

“So,” Paige says, trying for casual. “You glad you came?”

You tilt your head, your lips quirking up. “Hmm, not sure yet. I’m not too impressed so far.”

She nods, stifling a wince, feeling more awkward than she can ever remember. And yet, her mind’s racing, urging her to just go for it, because this is her moment. She’s Paige Bueckers—she’s supposed to be confident. She always is. Besides, if you’re not interested, at least she’ll know. And if you are…

She hesitates, then swallows, trying to keep her voice steady as she says, “Um… can I buy you a drink?”

There’s a flicker of something in your eyes—maybe amusement, maybe surprise—and she’s mentally bracing herself for you to say no when you glance at the bar and say, “Actually, I just ordered one.” Her heart sinks a little, but she forces a smile, trying to play it off. Of course you’re not interested; she should have known better—

Then you’re leaning closer, nudging her elbow with yours, and you smirk, your voice soft and playful. “But you can buy my next one, if you want.”

Paige’s brain short-circuits as your words settle in, her mouth going dry as she realizes what you just said. “Uh, y-yeah, totally,” she manages, trying to keep from looking as giddy as she feels. “I…I’d love to.”

Your smirk turns into a grin, and you’re looking at her like she’s the only person in the room. She’s trying to come up with something smooth to say when, suddenly, one of your friends pops ups beside you and Paige, tugging on your arm, pulling you off the barstool and towards the crowd with a teasing, “Come on!”

Paige opens her mouth to protest, but before she knows it, you’re being swallowed up into the throng of people—not before you send her a quick, apologetic look over your shoulder, your friend still dragging you. Paige frowns, a little disappointed, but quickly catches herself. It’s fine, she thinks, though a twinge of regret lingers. She pushes it aside, grabbing her drink from the bar and returning back to her table, telling herself to focus on celebrating. She’s finally back on the court, and after such a long, difficult recovery, tonight is meant to be about unwinding. So she does, letting her team hype her up as they cheer and clink their drinks in her honor, pulling her deeper into the night.

As the time passes, Paige’s frustration eases, replaced by a warm buzz that dulls everything except the elation of being surrounded by her friends. But even as she sips her drink, she can’t help but think about where you’ve disappeared to, if you’re still here, still laughing with your friends somewhere across the bar. She finds herself scanning the crowd more than once, looking for a glimpse of you. She tries to push it down, laugh it off with another round, but every time she looks around, her gaze seems to search for you.

Eventually, the heat of the crowded bar gets to her. She feels flushed, dizzy from the alcohol and the mass of people, so she slips out the back door for some air. The cool breeze hits her face, and she closes her eyes for a second, sighing as the sounds of the bar fade behind her. She barely has a moment to herself before she notices a figure sitting just a few feet away.

It’s you, sitting on the curb, looking down at your hands as if lost in thought. Paige blinks, unsure if she’s seeing things. But then you look up at the sound of the door closing and smile, that familiar, gentle smile that makes her heart stutter. You seem just as surprised to see her, but your expression softens, like you’re genuinely happy she’s there. And that’s all the encouragement Paige needs.

“You care if I join?” she asks, trying to sound casual, even though her heart’s racing.

“Not at all,” you reply, and she takes a seat beside you, a bit closer than she planned. She feels your warmth even in the night air, and it makes her head spin in a way she can’t blame on the alcohol.

There’s a pause, a comfortable silence stretching between you. Paige watches as you draw patterns in the gravel with your fingers, the lights from the bar casting a soft glow over your face. She swallows, summoning up the nerve to say something—anything that might keep you sitting here with her.

“Why you out here?” she starts, genuinely curious.

You shrug, glancing back toward the bar. “Got a little claustrophobic in there,” you say, voice soft.

“Yeah… me too,” Paige nods, grateful for the fresh air and this quiet moment with you. The silence returns, but this time, it’s charged, heavy with something she can’t quite put into words.

Finally, Paige finds her voice again, her words slipping out before she can think them over. “You’re a good cheerleader, y’know. You do all those flips and shit—it’s impressive.”

You let out a small laugh, looking away for a second as if flattered. Paige is almost certain she sees a faint blush on your cheeks, and the sight makes her smile a little, lips curving upward. “Didn’t know you really paid attention to the cheerleaders,” you respond, teasing.

Paige scoffs, shrugging as if it isn’t a big deal, even though she feels like she’s been caught in some sort of confession—which, she kinda has. “Well, I did sit out for a year, so… I had to find something to watch.”

You tilt your head, smirking as you ask, “So you chose to watch me?”

Paige’s cheeks warm, and she silently thanks the alcohol for the courage that lets her meet your gaze. “Yeah,” she murmurs, watching as you look away, biting your lip as if trying to hide a smile. The sight makes her heart skip in a way that’s both exhilarating and terrifying.

After a moment, Paige adds, “I think we… had a class together, couple years ago?”

You nod, eyes lighting up at the memory. “Yeah, we did. Sociology, right?” you reaffirm, nodding in tandem with her. “’M surprised you remember that—you always seemed so disinterested.”

Paige nearly blanches, genuinely surprised you’d noticed her too. She didn’t think you’d have remembered her, much less noticed her back then. The notion gives her some of her usual confidence beck and she manages a chuckle, shaking her head and tilting it slightly toward you as she murmurs, “Ah, so you were watching me too, huh?”

You roll your eyes, but your smile betrays you as you nudge her shoulder. “Shut up,” you mutter, but the blush on your face doesn’t go unnoticed.

There’s another pause, the two of you sitting side by side in the quiet, both of you lingering on the edge of something unsaid. Finally, you break the silence, voice soft and hesitant. “How come you never said anything before?”

Paige swallows, the question catching her off guard. She doesn’t know how to answer without giving herself away, without admitting the way her stomach twists every time she sees you around campus. So instead, she asks, turning the question back on you, “How come you never did?”

You don’t seem to mind that she didn’t really give you an answer. Instead, you just shrug, looking down at your hands. “I don’t know… you make me kinda nervous.”

The confession makes Paige’s heart alight, feeling like it’s on fire and might spread throughout her whole body. She’s used to people being in awe of her for basketball, for her skills on the court. But hearing you say that you feel that way too, like she’s someone more than just her reputation, shakes her. Besides, you’ve always seemed so incredibly at ease around her, never even bothering to look her way. So, almost incredulously, she asks, “Why?”

You scoff, looking at her like she’s missing something obvious. “Um, because you’re Paige Bueckers. Basketball prodigy, campus celebrity.” You raise your eyebrows at her. “I think most people would be.”

Paige feels a rush of warmth at your words, the way you say her name like it means something special. She searches your face, feeling the air grow thick around you, heavy with something she couldn’t quite name. And maybe it’s the alcohol in her system, maybe it’s the way you’re looking at her like she’s somehow both intimidating and endearing at the same time, but she’s feeling bold. Bold enough to keep this conversation going, to see where this moment might lead.

She clears her throat, a small smile tugging at her lips. “Well, if it helps… you make me nervous.”

You laugh, a little breathless, clearly surprised. “Yeah, right.”

“I’m serious,” Paige insists. “You ain’t see the way I stuttered around you earlier? Ion know, ma, you just kinda fuck with my head.”

She watches, grin widening, as you blush at her words, the color blooming across your cheeks. It’s addictive, seeing you react like that—because of her. She doesn’t even try to hide her amusement when you ask, gaze set out in front of you instead of on her, “Why would I fuck with your head?”

It’s a good question, one Paige asked herself for a long time. It never took her long to figure out the answer. Though, she’s a little nervous to explain herself.

And she gets even more nervous when your gaze slides back onto hers, your head turning towards her. Paige’s smile falters, just slightly, at the eye contact. It’s intense, the kind that feels like it’s holding the world still for a second. Paige’s heart is a drum in her chest, each beat vibrating through her veins. Her eyes slide across your face, your features, tracing the slope of your nose, the curve of your lips, the faint shimmer glitter swiped along your eyelids. She catalogues every detail as if she’s never going to get this close again—a very real possibility if she doesn’t up her game.

Finally, she leans in—just slightly—her voice low and steady as she answers you. “You got this positive energy that makes you just… stand out in front of a crowd. Big smile. Bright eyes. Mm, I just… like seeing that in people.”

The words settle in the space between you, warm and lingering. Paige hesitates, letting them wrap around you both before adding, her voice dipping lower, her boldness shooting upward, “And it doesn’t help that you’re too beautiful for your own good.”

You blush deeper this time, cheeks tinted more red than pink, and it makes Paige’s heart skip. She can’t help the way her lips twitch into a grin. She’s waited so long to see this—see you flustered because of her. It’s everything she imagined and more.

“Stop,” you protest, fighting a smile as you push at her hands, your tone not carrying any weight behind the word. Paige just laughs, soft and easy, catching your hand in hers before you can pull away. She lifts it slightly, letting her thumb brush over your knuckles as she murmurs, “Nah, really.”

It’s then that the air changes—shifting into something heavier. The space between the two of you is practically nonexistent at this point, your sides tucked right into each other. You’re staring at one another, and Paige can’t help it when her gaze flickers down to your lips, just for a second. But it turns out to be enough. Because then she sees your eyes dart to her mouth in return, lingering there. And that’s when Paige knows.

Still holding your hand, she locks her gaze on yours, her voice firm but soft when she repeats, “Really.”

It’s like that word unlocks something between you because suddenly you’re leaning in, and Paige is doing the same, her breath catching the moment your lips touch hers. It’s soft, tentative at first, like neither of you are quite sure if this is real. But then you press into her just slightly, and Paige swears the whole world tilts on its axis.

The kiss deepens, slow but deliberate, and Paige feels her whole body light up. Your lips are warm, soft, and you taste faintly of tequila and strawberry chapstick. It’s intoxicating, the way you move against her, gentle but with enough purpose to make her head spin. Paige’s hand slides up to cradle your jaw, her thumb brushing against your cheekbone.

Your fingers grab at her bicep, holding on like you don’t want to let go, and it sends a thrill through her. Paige’s lips part slightly, and when you follow, letting her slip her tongue into your mouth, it’s like a fire ignites somewhere deep inside her. The kiss isn’t frantic or messy—it’s unhurried, like the two of you have all the time in the world to explore this. She can feel the heat of your skin where her hand cups your face, and she wants to memorize every second, every sensation.

The way you tilt your head just a little, giving her more access, nearly undoes her. Paige tilts her own in response, deepening the kiss further, her fingers slipping from your jaw to the back of your neck. The touch is light, almost reverent, but the closeness makes her heart race.

Your other hand moves, grazing against her side before resting lightly on her hip. Paige’s stomach flips at the contact, her body leaning instinctively closer to yours. She swears she can feel the warmth of your breath between kisses, the subtle hitch when she nips at your bottom lip.

It’s slow, it’s sweet, but it’s intoxicating. Paige swears she’s never kissed anyone like this before, never felt this much just from simple lip-locking. When you pull back slightly—not breaking the kiss entirely, just catching your breath—she can’t help herself. She follows you instinctively, her mouth chasing yours in a way that feels both vulnerable and utterly fearless. You allow her to, tongues half entwined between your swollen lips.

When you finally part, Paige keeps close, her forehead gently pressing against yours, her hand still cradling your neck. Neither of you moves far, the space between you so small your breaths still mingle, soft and warm against each other’s lips. Paige’s eyes flutter open, but she doesn’t look away from you, her gaze locked on yours like you’re the only thing in the world that matters—which, right now, you might as well be.

Her voice comes out lower than she intends, husky and laced with something she can’t quite hide as she murmurs, “You gonna let me buy you that drink now?”

Your lips curve into a slow, easy grin, and Paige feels her chest tighten, her heart skipping a beat at the sight of it. You’re so close she can see the faint glimmer of mischief in your eyes, the way they soften as you look at her.

“Yeah,” you say, your voice soft but sure, “I’d like that.”

The way you say it, the way your smile widens just slightly after, makes Paige’s heart race all over again. She can’t help the small, satisfied smile that spreads across her face. Paige leans back just enough to take in the sight of you—your flushed cheeks, the way your hair’s slightly mussed, and that lingering, breathtaking smile she knows will haunt her in the best way.

“Good,” she murmurs, her thumb brushing your jaw lightly one last time before she pulls away completely, standing up and offering you her hand. When you take it, she holds on a little longer than necessary, leading you back into the bar, already planning how she’s going to keep you smiling for the rest of the night—and, hopefully, much longer afterwards.

#paige bueckers #uconn wbb #paige bueckers fic #uconn huskies #wbb #uconn #paige bueckers smut #paige bueckers x oc #paige bueckers x reader #paige bueckers fluff #wlw #lgbtq #paige buckets #wcbb #wbb x reader

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perpetuallyfive · 1 day ago

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God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

#maddie nolen #arcane #arcane s2 spoilers #arcane spoilers #when maddie first showed up my immediate feeling was ''oh noooo they made a sweet and innocent cop''#BUT NOPE.#they did NOT and that's so fucking funny

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mrsshabana · 21 hours ago

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𝐆𝐢𝐯𝐢𝐧𝐠 𝐌𝐫. 𝐂𝐫𝐚𝐰𝐥𝐢𝐧𝐠 𝐚 𝐛𝐚𝐭𝐡 :･ﾟ✧

꒦꒷‧₊ Content Mr. Crawling x gender!neutral!reader, MDNI, nudity, fluff, suggestive but no smut ꒦꒷‧₊ Note 1.5k words. Mr. Crawling is so cute, I just had to write a fic where we take care of him. He deserves it (╥ ‸ ╥)

He followed you like a lost puppy.

The entity that clung to you like his life depended on it, refusing to return to the world in which he came from. His intentions aren't clear, but he isn't causing any harm so you had no issue with him sticking around.

Mr. Crawling was what you called him. He spoke a strange language you couldn't understand at first, but after spending so much time with him you picked it up after a while.

When you get home from work he's always so excited to see you, chirping excitedly and grinning widely at the sight of his favorite human.

As soon as you arrive he sticks to you like glue, watching you as you do mundane tasks or relax around the house.

Tonight you were making spaghetti, and Mr. Crawling seemed extra intrigued by you cooking the dish.

He peers up at the stovetop, watching as you heat up the tomato sauce. His curiosity gets the best of him as he tries to get a better view, he bumps into you. Causing the red sauce to topple over and spill all over him.

"Mr.Crawling!" you shout, "I'm so sorry!"

He just smiles and licks the sauce off of his face. Seemingly not affected by the hot temperature or the fact that it has splattered all over his clothes.

"You ok?" you ask in his language.

"Me surprise! Saturate clothes, hair, body!" he says between giggles.

You're glad he finds it funny and he's not upset. You don't know what you'd do if you ever saw Mr. Crawling cry.

But he's right, he's completely covered in sauce and his clothes will need to be washed right away.

You kneel down to his level and wipe away the excess sauce with a paper towel, "Me take care of you."

"Me grateful," he smiles wide, leaning into your touch as you clean him off.

You know this won't be enough though, he needs a bath. But you feel slightly awkward giving him one. Not that you mind caring for him, but as far as you know there isn't a word for bath or clean in his language so you don't know how to ask him if he's okay with it. And the thought of seeing Mr. Crawling naked... well you've never really considered it before. But thinking about it makes your cheeks redden and your body heat up.

First things first, after cleaning the chunks of tomato you take his hand and lead him into the bathroom before you try explaining to him.

"Um... Mr. Crawling," you mumble, "Me change you clothes. Water container. You give clothes?" You try to explain it to the best of your ability as you hold out your hand.

"Saturate clothes, water correct! Me give," he nods and takes off his clothes.

There's no embarrassment or shyness evident as he removes his clothes. Mr. Crawling is either just too innocent, or he's just so comfortable around you that he knows he has nothing to be shy or embarrassed about.

You try not to look at his body as you take his clothes. Hurried walking to the laundry room and shoving them into the machine at a rushed pace.

You know he's waiting patiently for you to return and give him his bath but you have to try to calm down first! Your creepy cute ghostly roommate is naked in your bathroom right now and you're freaking out!

Mr. Crawling may act like a pet, but this isn't like giving your dog a bath or something! Maybe it feels so strange because your relationship with Mr. Crawling isn't well-defined.

He's obviously obsessed with you and adores you in every way, but is it romantic? You aren't sure...

However, you do feel confident that Mr. Crawling wouldn't say no to being in a romantic relationship with you if you asked. Judging by how he constantly craves your affection, touch, and attention - he'd probably love it.

And you'd be lying to yourself if you ignored the feelings you had for him. Sure he's not human, but he's so sweet and genuinely cares about you.

Before you met him sometimes you felt like if you disappeared no one would care. You felt insignificant in the grand scheme of things. On lonely nights you'd question why you're even here at all. Is there even a point?

But Mr. Crawling changed all of that.

When you leave, you know Mr. Crawling is always waiting in front of the door for you to return. No matter how long it took, even if it was 100 years, he would still wait for you.

He makes you feel important for the first time in your life. Like if something happened to you he wouldn't rest until he was able to have you again - even if he spent eternity searching for you. He wouldn't stop looking for his favorite human. That's how much you mean to him.

And if that's not the definition of love then you don't know what is. Because it's obvious that Mr. Crawling loves you, and honestly you love him too.

"Mr. Crawling..." you whisper as you walk into the bathroom again.

He turns and makes that high-pitched sound he makes when he's happy.

"Water container, correct," you say, patting his head as you start the faucet.

"Me go into?" he tilts his head to the side, not sure what to do. The gesture is cute and makes you smile.

You nod, "You go into container."

Even though he's never had a bath before, he trusts you and gets into the tub. Watching in awe as his long hair floats to the surface, creating long black streaks within the water.

You can't help but blush as you look at his body. Never had you expected him to be so toned under his loose-fitting clothes. Especially his chest and arms. But it makes sense, he crawls around all day so his upper body strength has to be good, right?

Now that you're seeing him like this, you can't help but notice how long his legs are too. You've never actually seen him stand so it never occurred to you how tall he could be. Judging by how he fits into the tub, he must be taller than any person you've ever met before.

Imagine if he stood up like this...

Your thoughts drift and you get distracted, accidentally pouring loads of bubble bath into the tub instead of just a tad to keep him occupied.

"Fun! Fun!" He shouts excitedly as the tub fills with foaming bubbles, completely covering his body and overflowing from the tub.

"Shit!" you say under your breath, cursing yourself for letting those perverted thoughts sneak into your head. You can't stay mad though as you watch him giggle and play with the bubbles. Why does he have to be so freaking cute?

As he has the time of his life, you dig through the bubbles to clean him. Starting with his body and finishing with his hair. Taking over an hour to wash his hair alone.

As you clean his hair he experiments with these fluffy white things he's never seen before. Curiously eating them, sculpting them with his hands, and even putting them on you. He takes a clump of bubbles and forms them into cat ears on the top of your head.

"You cute!" he shouts excitedly.

You smile and do the same for him, "You cute!"

"We cute together!!" he smiles, having the funnest time with you.

Finally, once he's been all cleaned you help him dry off as he sits on your bathroom floor, watching curiously as the bubbles get sucked down the drain.

His clothes aren't quite done yet so in the meantime you let him wear an old pair of pajamas. They're pink Hello Kitty pajamas to be exact. Sure you had a plain black set that would do as well, but you just couldn't resist putting him in this. He looks so adorable as he crawls into the bed with you, laying on your lap as you brush his hair.

"Water container fun..." he mumbles on the edge of falling asleep, "Again again."

"Fun again," you smile, promising to give him another bath someday.

"Thank you," he nuzzles into you, "Me like you. Like you much..."

"Me like you much," you kiss the top of his head, "Me take care of you, you rest."

He doesn't want to sleep, he wants to stay up with you all night taking baths and playing with bubbles. But being in your embrace as you take care of him is just too much to resist. He hopes you'll do this again soon, or maybe you'll let him give you a bath and brush your hair next time.

He quickly drifts off to sleep, thinking about all of the fun things he wants to do with you. Meanwhile, you sit there and brush his long hair for another hour. Though you don't mind. Sitting here with him, brushing his hair as he sleeps on your lap, it doesn't get any better than this.

#mr. crawling #mr crawling #mr crawling x reader #mr. crawling x reader #homicipher #homicipher x reader #文字化化

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choslut · 1 day ago

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# PUSSY TALK !! (vi x reader)

$YNOPSIS. you’ve been feelin’ a little insecure about yourself lately. good thing you have a girlfriend who’s head over heels for you, no matter what! // wc. 2.4k

warnings. insecure!reader, talk of body image + weight, face sitting, spanking (ass + clit), praise, dirty talk, stripping, oral sex, size kink (?), teasing, fingering, begging, squirting, overstimulation, mirrors, awkward aftercare, spooning, pet names

NSFW below the cut. minors, stay away. enjoy your read!

Dresses aren’t your favourite piece of clothing. They never have been and they never will be, and even as you stare at yourself in the floor length mirror of your bedroom, you absolutely hate how this dress looks on you.

When you asked for something flared that would hide your curves, you didn’t expect your tailor to make you look like an overstuffed cream puff. The flared sleeves hang off of your arms like misplaced scraps of fabric, and the material pools at your feet, surrounding you in an unceremonious circle. You look frumpy, you feel frumpy, and nothing in the world could have convinced you that this is the dress you were going to wear to the annual Councillor’s Gala.

“What the fuck…” You turn around to inspect the back, and it’s even worse than you thought. It seems as if the tailor has attempted a daring backless design, but to you, it just looks like a gaping hole, the fabric tight and loose in all the wrong places before messily accumulating just above the apple of your ass. It looks horrible, and if you weren’t insecure enough, this dress makes you feel like a laughing stock.

And that’s when the dreaded words come out of your mouth. “I seriously need to lose weight.”

Someone doesn’t like that, because out of nowhere, you feel a strong pair of arms wrap around your waist and a sharp chin on your shoulder. “And why’s that? I think it looks perfect.”

Vi loves seeing you in dresses. She thinks they make you look so graceful, no matter what shape you choose. It solidifies the fact that you are her perfect princess, and she will never understand why you hate them when they make you look so pretty.

She also doesn’t understand this whole weight thing you have going on. If anything, one of the things that first had her on her knees for you was your body, and like now, she always feels a need to be touching it, whether it be stroking your thighs or kissing your collarbone or, like now, wrapping her arms around your perfect waist and pulling you into her chest.

“‘M not perfect though, Vi,” you grumble, hands running along the sides of your chest and resting over where her hands cradle your tummy. “I look like a creampuff.”

“Creampuffs are sweet. I like creampuffs,” she says, her eyes making contact with yours in the mirror as she noses your neck. “I like you.”

You roll your eyes and whine. “I know you like me, Vi. But that’s not gonna change the fact that I hate this dress.”

“Take it off then.” She says it like it’s the simplest thing in the world, like you’re not going to be stuck in it for three whole hours, playing the part of a member of high society whilst trying your hardest to ignore the obvious stares at the atrocity which is your outfit. You want to tell Vi that it seriously isn’t as easy as that, but you’re distracted by her hands slipping into the open back of your dress.

“I can help you,” she whispers in your ear, and you can feel the cold metal of her nose piercing against your heated skin. “Take it off, I mean. Relax.”

“Vi…”

“Can we try something?” She begins to kiss your neck slowly, and you whimper when you feel the rough scar on her lip brush against your heated flesh. “I know you’ve been feeling some way about your body lately, and to be honest, I have no idea why because your body is already so fucking perfect…” Her hands slide up the insides of your dress, and you lift your shoulders automatically as she slips those god awful sleeves off of your shoulders. “There’s something I want you to do for me.”

After all this time, she hasn’t broken eye contact once, and you notice her eyes go dark when she shoves the front of your dress down, only to find your perky nipples staring right back at her. “What is it?”

“Sit on my face,” she states simply, hands coming round to rub at your tits. “I want all of it, baby. Your whole body. I want you to fuckin’ suffocate me.”

You probably will. You stare at your girlfriend in the mirror incredulously, because there’s no way in the universe that you’re going to sit on her face. Not in a million years, and certainly not today. “No.”

“Give me one good reason why not.” She has a point, because it’s getting increasingly hard to refute her when her hands are making their way underneath the front material of your dress, letting it drop to the floor and revealing your regulation panties. “Go on, give me one good reason why you shouldn’t sit on my face.” Before you can open your mouth to protest, Vi smiles and bites your shoulder. “And your weight is not a valid answer.”

You raise your eyebrows. “Violet.”

“Yes, baby?” She acts like nothing is wrong, like asking you to crush her skull in between your legs a couple hours before the most important event of the year is a completely normal request. And she continues to act this way, even when she slips her hand into your panties, fingers eagerly in search of your clit. “So what I’m hearing is you don’t want to sit on my face, and you don’t want me to make you feel so good that you forget all about this stupid dress and that stupid gala?”

Your back arches into her chest when she starts rubbing your clit in small circles, lips widening into a smile as she watches you unravel against her. “That’s not what I said.”

“So why are you acting like you don’t want it?” She’s taunting you now, fingers halting all movement on your clit and sliding down lower, tips starting to tease your quivering hole. “Because I know you want it, baby. She’s telling me you want it.”

You hate how Vi can read you like a book. You do want this, but you’re worried, and she makes sure to eliminate of all of that worry by slipping her fingers into your cunt, mouth dropping open in wonder when you begin to crumple against her.

“Vi, please.”

“No.” Stubborn. “You’re not cumming unless you’re where you're supposed to be, princess. My game, my rules, and no amount of that pretty begging is gonna change that.”

You bite your lip as you feel her palm grind against your clit, fingers speeding up and continually assaulting your sweet spot. It’s so hard not to beg her to let you cum, especially with the way she’s holding eye contact with you so intensely.

“Say the words, and that orgasm’s yours,” she mumbles, smile ever present as her fingers alternate speeds. “Come on baby, I know you can.”

You can, you will, and you do. Your pleas to cum are replaced with nonsensical begging and whimpering, your hands futilely clawing at her biceps as you try to rip her fingers away from your weeping hole. “I’ll do it, I’ll do it, just let me cum, Vi, please-”

All of a sudden, the pressure building up inside of you dissipates, and you notice Vi licking her fingers clean as she backs towards the bed. “That’s what I like to hear,” she laughs, sitting down on the bed in a way that has you weak in the knees. “Come take a seat, princess.”

Embarrassingly enough, that’s all it takes to have you stepping out of the pool of fabric on the floor and crawling onto the bed towards her, legs planted on either side of her hips as you bend over and catch her lips in a heated kiss. It’s loud and it’s messy, her hands sliding up your thighs and onto your covered ass as you grind down onto her knee, tongue intertwining with hers in a clash of passion and need.

“Good fucking girl,” she groans, squeezing the flesh of your ass before slapping it hard, drawing a quiet gasp from your lips. “Come on, baby, c’mere, come sit.”

Your hands splay the surface of her chest as you push her back onto the bed lightly, chest heaving gently with every heated breath you take. Vi looks up at you like you’re the most beautiful girl in the world, because to her, you are, and she wouldn’t want to be underneath anyone else.

“There she is,” she whispers as you situate yourself comfortably on her chest. “My pretty girl, huh?”

“I’m nervous,” you mumble, hips beginning to move slowly as you plant your hands on either side of her head. “I… don’t wanna hurt you.”

“Trust me, you won’t.” She captures your hips in her strong hands and pulls you further up her body, letting you hover just above her collarbone. “I’ve lifted this perfect body with my own two hands before. What makes you think a little face sitting will hurt me?”

In a way, she’s right. Vi is strong, more so than most people. If it got too much, she would be able to move you effortlessly, and-

You’re pulled out of your train of thought by the feeling of Vi’s nose nestling in between your legs, rubbing up against your pulsing clit under your panties. “Vi…”

“You’re thinkin’ too much, baby,” she groans, voice muffled in between your thighs. “Just do it.” This time, she doesn’t leave you any time to think, because she’s now mouthing at your cunt through your panties, strong arms wrapping around your thighs and pulling you ever closer. You gasp in surprise, one hand coming up to grip onto the headboard as you fight not to lose balance.

Another thing about Vi: she’s impatient. And when you hesitate to begin moving your hips, she does it for you, fingers pulling the seat of your underwear to one side and arms pushing you down hard.

“She’s so wet, baby, I don’t know how you can say you don’t want this.” Her tongue darts out to lick your throbbing clit and you whine, hips stuttering as you stare hazily at the mess of pink hair in between your legs. Vi is staring up at you with lust swirling in her eyes, and you can feel her smile on your cunt as her tongue slides downwards to your entrance. “I mean, she is practically begging me to eat her out. Is that what you want?”

Before you can answer her, you’re caught off guard by her hand slapping at your clit playfully, sending pleasured shockwaves throughout your system. “ ‘M not talking to you anymore, silly,” she laughs, thumbs rubbing at the area she just assaulted. “I’m talking to her, since my girl doesn’t seem to know what she wants anymore.”

“Stop it,” you grumble, but Vi pays no notice, resuming her languid licks on your pussy. Your protests are quickly turned into prolonged whines and whimpers of her name, the pressure once taken from you beginning to build in your core with each shallow thrust of her tongue into your hole.

“Not until she’s satisfied, angel.” And she means it, because the grip she has on your thighs is nothing next to lethal, and you feel yourself begin to shake as the pressure builds more and more. “And she’s getting close, don’t you think?”

She is. Your head begins to swim and you tangle your fingers in Vi’s hair in an attempt to stabilise yourself but it proves futile, mouth dropping open as you beg her to let you finish. “Vi, please, please, I’m sorry, I-”

“Nothin’ to apologise for, angel, you’re doing a great job.” You have no idea how she still manages to speak when she’s being all but crushed in the trap that is your quivering thighs, but her voice drives you ever closer, your hips grinding down onto her happily awaiting tongue as you chase your orgasm desperately. You want it- no, you need it, and when she begins to massage your ass sensually, you think you might just squirt.

“Vi...”

“Yeah, baby? Is she telling you something?” She loves playing this game, delaying your orgasm as long as possible whilst making it impossible to hold yourself back. It feels like her hands are everywhere because suddenly her thumb is massaging your clit, and you’re begging her like there’s no tomorrow.

She seems satisfied by your begging, because she takes one arm off of your thigh to use her fingers to fuck your needy cunt. “Cum for me baby, c,mon. Give it to me.”

And give it to her, do you, and in gracious abundance at that. Your juices drench her face unceremoniously as you twitch above her, spine shaking as you hold on to her hair for dear life. You’re all but riding her tongue, and she’s moaning profusely into your cunt, the vibrations only heightening your sensitivity. And try as you might, you can’t pull her away, her mouth a suction as she pushes you unforgivingly into overstimulation.

When you’re all but ready to surrender your stability to her relentless assault in between your legs, you feel a strong pair of hands lifting you off of her mouth gently, and light kisses being littered all over the expanse of your thighs. Vi’s mouth travels along your skin lazily, her powdery blue eyes looking up at your shaky form with nothing but love etched into her irises. You barely begin to register the sweet praises she gives you, instead basking in the afterglow of your intense climax mixed with the feeling of her hands stroking your back.

Moments later and you’re laying down on the bed next to her, curled in a foetal position as you fight the army of sleep threatening to overthrow you. “Are you tired?”

“Mhm.”

“Why don’t you… skip the gala? Stay here with me, I’ll cook, and…”

You think the difference between the Vi laying next to you now and the Vi who made you climax to the brink of passing out is a cute one. She’s never been too good with aftercare, instead trying to make awkward conversation in an attempt to divert from the fact that she just rocked your world in more ways than one. “We can stay home. I’ll tell the organisers I wasn’t feeling too well.” That, and the fact that god awful dress made you want to bust a nerve.

Vi smiles at you gently, and you wish you could stay like this with her forever. “Sounds good. I’m looking forward to it.”

main masterlist

#arcane #arcane x reader #arcane smut #vi arcane #vi x reader #vi smut #league of legends #league of legends x reader #league of legends smut #fanfic #x reader

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jayparked · 2 days ago

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hii!! congrats on 1k! ^^ can i perhaps get 47 + 75 with jungwon? <33

"jungwon, please! it's too much!" you cry out, tears staining your cheeks while your boyfriend relentlessly pounds into your pussy. he has you sitting on top of the bathroom sink in some random person's house, the music from the party downstairs vibrating the walls around you. it's the one thing you try to focus on in order to hang onto your sanity. jungwon has already made you come twice now and he's showing no signs of stopping anytime soon.

he watches the spot where your bodies connect carefully, lips parted slightly as he pants with each hardened thrust. his tongue pokes out to swipe along his bottom lip before he looks into your eyes, his own cloudy with determination.

"not stopping," his words come out ragged as he continues to put everything he has into each thrust, "someone else thinks they can fuck you better? im gonna make you come so many times on my cock that you'll never doubt that i'm the only one who can do this to you. only i get to ruin you like this, you hear me?"

"wh-? what are you talking about?" your eyelids are fluttering now and you're desperate to ignore the way your bruised walls clench around him.

"heard some guy talking about you, eye fucking the hell out of you too. said he could probably make you come in less than five minutes," jungwon scoffs, "well i made you come in one minute. and i bet i can do it faster if we were at home." a darkness flicks across his iris's and suddenly he's gripping you even tighter, moving your legs higher up on his waist.

"i want you to scream my name," growling, jungwon grabs your hips and pulls your body in pace to his thrusts, each one harder than the last and it's a miracle you can even understand what he's saying with the way you're so fucked out.

"th-there are people outside this door. you want everyone to know we're having sex?"

"well, this isn't about them now is it?" he grows more aggressively, lips now attached to your collarbone, nipping and sucking on your flesh until pretty little red marks appear.

you try to hold on, you really do. but jungwon lifts you off the counter and holds you against his body, using his upper body strength to bounce you on his cock while he leans against the bathroom wall. the squelching is getting louder as your ability to hang on dissipates.

"fuck! yes! jungwon right there! oh my god jungwon please!" you dig your nails into his shoulders and flex your leg muscles around his waist, his pace still not letting up.

you were doing just fine until suddenly, jungwon's voice drops to a lower register, his tone even and demanding, "that's it baby. tell everyone i'm the only one who can ever make you feel this good."

suddenly, without any warning, you're releasing on his cock once again, his name leaving your lips with a scream that rips through the house right as the music goes silent between changing songs.

for part of my 1k follower celebration send me a member and a number from this list and i'll write a short drabble about it ♡ masterlist

#tysm :)#jayparked 1k drabble event #jungwon smut #jungwon hard hours #jungwon hard thoughts #enhypen smut #enhypen hard hours #enhypen hard thoughts #jungwon x you #jungwon x reader #jungwon x y/n #enhypen x you #enhypen x reader #enhypen x y/n

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heywriters · 2 days ago

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Rescued Writing Links!

When cleaning out the HEY, Writers! Pinterest I moved some links here. The internet has changed a LOT since I started collecting these, so some links may include outdated info. All were still active when I made this, but it's been in my drafts for a hot minute.

Protip! In Firefox, check to toggle reader view when reading these (mobile: the page icon in the url bar; desktop: same icon or hit F9). This removes popups, ads, screen clutter, and often has an audio option.

Survivors of Internet Decay Award!

These active sites featured most often in my collections so they get the top of the list.

Helping Writers Become Authors

Mythcreants

Bryn Donovan

Getting Started (Ideas & Intros)

How to Start Writing a Book: Learn One Writer’s Process | Marian Schembari

How to Start a Story: 30 Opening Scene Examples | Bryn Donovan

Don’t Panic! What to Do When You Have Too Many Story Ideas | Faye Kirwin

How to Write a Killer First Chapter | Rae Elliot

How To Write A Captivating Opening Sentence

Outlining

How to Create a Flexible Outline for Your Novel | Faye Kirwin

Protagonists

How to Write Believable Characters | Bridget McNulty

4 Ways to Write a Likable Protag at the Start of the Character Arc | KM Weiland

5 Tips for Writing a Likable "Righteous" Character | KM Weiland

I Hate Your Protagonist! Want to Know Why? | KM Weiland

The Secret to Writing Dynamic Characters: It's Always Their Fault | KM Weiland

A Protagonist’s Moment of Realisation

Antagonists

Blurring the Lines: What Are Anti-Heroes and Anti-Villains?

Antagonists: Inner & Outer Demons | Kristen Lamb

How to Write Multiple Antagonists | KM Weiland

Character Building

The Epic Guide to Character Creation, Part 1 | Kylie Day

Pick Up A Bad Habit | Maggie Maxwell

How To Write Characters from the Opposite Gender | Rachel Poli

Top 4 Tips for Using Backstory in Your Novel | Diana Anderson-Tyler

Depicting Background Characters | Chris Winkle

Scene Building

The 5 Elements Of A Good Scene | Amanda Patterson

A New Way to Think About Scene Structure | KM Weiland

2 Ways to Make the Most of Your Story’s Climactic Setting | KM Weiland

8 Things Writers Forget When Writing Fight Scenes | Lisa Voisin

Descriptions

Master List of Facial Expressions | Bryn Donovan

Master List of Words to Describe Voices | Bryn Donovan

Master List of Physical Description for Writers | Bryn Donovan

Writer’s Guide to Serious Injuries and Calamities | Bryn Donovan

How to Ground Your Reader (in the setting) | Rachel Craft

The Forgotten Fifth Sense | Writer's Relief

Never Name an Emotion in Your Story | KM Weiland

Show, Don't Tell: How to Write the Stages of Grief | Ruthanne Reid

100 Words for Facial Expressions

Dialogue

How To Write Good Dialogue: Ten Tips | Irving Weinman

Seven Dialogue Don’ts | Jason Bougger

10 Keys to Writing Dialogue in Fiction | Katherine Cowley

Points-Of-View (POV)

What Every Writer Ought to Know About the Omniscient POV | KM Weiland

Motivation & Support

What New Writers Need To Know About Fear | Bryan Collins

How to Discover Your Writing Process with Gabriela Pereira | Kirsten Oliphant

Editing & Revising

18 Overused Words to Replace When Writing | Oxford Tutoring

An Easy Way to Immediately Improve Your Character’s Action Beats | KM Weiland

Want More Depth to Your Writing? | Sacha Black

How Much is Too Much Backstory? | Ellen Brock

Why Your Writing Sounds Weird (And What You Can Do About It) | Joe Brock

Self-Editing for Fiction Writers | Jenny Bravo

Favorite Revision and Editing Tricks

Short Stories & Flashfic

How to Write a Story a Week: A Day-by-Day Guide | Emily Wenstrom

How Flash Fiction / Microfiction Can Help With Your Writing | Rhianne Williams

Worksheets & Downloads

Writing Worksheet Archive

If anyone out there loves making lists and wants to transport this to another site, you have every right to do so! Just let me know in a reblog so I can share it here again :)

---

HEY! Writers' Links

Tip Jar! If you enjoy my blog and advice, support me on Ko-fi!🤗

Follow me on AO3 for fanfiction

Visit my Pinterest & Unsplash for visual inspiration

#writing #writers on tumblr #writeblr #writing resources #writing links #writing help #writing advice #writing tips #writeblr community

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caughtthedarkness93 · 2 days ago

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Seriously!

I tear it apart because it gives me new ways to love it.

Returning to a beloved classic years later and finding a new way it speaks to you because you learned something new that lends it entirely novel context.

Talking to a friend of yours who examines things through a totally different lens. Someone who doesn't share your identity or has had different life experiences from you or something like that might pull something you never would have seen about a piece of art and completely change the way you see it.

Watching it and seeing how it's in conversation with other art that's trying to do something similar.

Working on something and being horribly stuck, and then some movie or book you're returning to or reading for the first time unlocks something in your own work that gets you past that roadblock.

Breaking down the details of what specific artistic decisions make it so good and applying those lessons to your own creative work.

There's something joyful in each of these practices, something that pulls more and more and more out of these pieces of art and makes you appreciate them more and more over time.

And yeah, sometimes that means finding something you don't like about it. But sometimes you find there's an artistic reason that makes it deeper than you thought and throws it into a new perspective, or you just...simply accept the fact that you can dislike things about something you otherwise love. No piece of art is perfect. But just because you find a flaw in something, even a glaring one, doesn't mean it's ruined. Edgar Wright's really bad at writing women a lot of the time. The female characters in his films often have little agency or development. Baby Driver has this problem too. Doesn't mean it's not a joyful film to experience that I found so relatable to my own experiences with autism. Just because a piece of art has flaws doesn't make it bad.

i find it so interesting how people act like "critically examining a piece of media" is the opposite of "enjoying that piece of media." rip to you but i actually find it really enjoyable and compelling to dissect and think through the art i engage with

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revelboo · 1 day ago

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I absolutely love your writing! Scratches my brain just right! How do you think they would react to tattoos? I'm pretty much covered and just curious about your thoughts!

Tattoo Reaction Scenarios

Various Transformers x Reader

IDW Starscream

• Skimming his lips against your neck, Starscream feels you shiver when his denta graze you. Optics devouring as he lazily maps you out with his mouth and servos. Lingering on the colorful designs inked on your soft skin. “I like these decorations.”

• “They’re tattoos.” Sprawled on your belly beside him, you feel his servos tracing along your shoulder and lingering there. “Do you guys do anything like this?” Inhaling as he finds the one on your hip with gentle touches.

• “Decorating our armor plating is fairly common,” he replies, moving your hair aside to trace over your neck. He’d never bothered with the practice, liking himself the way he is, but he likes the art decorating your skin. “Some change their color schemes regularly.”

• Rolling onto your back, his optics heat as he looms over you. “You could write out your name for me in Cybertronian characters and I could get it tattooed somewhere,” you tease, tugging at his wrist so you can lay his servos against your collar bone. “Maybe here.” Pulling his down to your inner thigh, you grin as his expression becomes possessive. “Or here.”

IDW Sunstreaker

• Ignoring the twins doing their own things, you turn your back to them and pull your sweater off over your head, stripping down to a tank top. Because for once, it’s not freezing cold. Or maybe, you’re running a fever. Sitting crosslegged to fold the sweater, you don’t even realize Sunstreaker has moved until a big servo touches your shoulder nearly scaring you to death. Something that big shouldn’t be that quiet when he wants to be. Reaching back, you swat him. “Don’t sneak up on me.”

• Ignoring your annoyance, his optics trail over your shoulders and upper back. Studying the colorful designs winding over your skin that you’d kept hidden. You’d made yourself a canvas, so why hide it? “Different artists,” he murmurs, servo tracing a pattern on your bicep.

• There’s no judgment in his tone, just curiosity and it eases the tension bracketing your spine. Reaching, you touch one. “Yeah, I designed this one,” you say, chin lifting. “This one a friend sketched out.” You wonder what he thinks of them, unwilling to explain their meanings to him just yet. Some of them still hurt you if you dwell on them like the script on the inside of your wrist with a signature painstakingly copied.

• Fascinated, he explores each one. Wondering what they mean, the stories behind them. Also knowing from the way your jaw is set, that you’re not ready entrust them to him just yet. Venting softly, he turns over his wrist, servos tracing a scar marring his otherwise pristine paint. Not art, but a mark with a story and your eyes study it and then lift to his optics. “A story for a story?” He offers and you smile slightly.

IDW Bluestreak

• “Needles?” He ask, his tone so dismayed you almost laugh as his servos hover over your skin. Not touching you, because he’s always so conscious of your personal space. Afraid of upsetting you or crossing a boundary he’s not allowed. “Didn’t that hurt?”

• “It gets easier every time,” you say, catching his big servo in your hands and pulling. And finally he cautiously touches your arm and the scrolling tattoo there. “I kind of look forward to that little bite of pain now.” Door wings lifting slightly at that, he can understand all too well needing pain to ground yourself. You’re like him, then. Carrying around something you keep hidden inside.

TF Earthspark Megatron

• “Gladiators painted themselves before battle. To inspire themselves and to instill fear in their opponents,” he murmurs as he gestures at the ink peeking out at your collar. He’d worn such paint in the pits, remembers striding out under those blinding lights as the bloodthirsty crowd looked down and screamed his name. Fans that would still cheer whether or not he survived his next battle. “They usually weren’t permanent marks, though.”

• He sounds so melancholy as you reach to touch his servos, bridging the distance between you both and surprising him. “If you ever want to talk about it?” Smiling ruefully, he gently traces your cheek with a servo. And you know it’s a no. Or at least a not yet. Laying your palm against his lingering servo, you begin to speak. Explaining your tattoos and showing them to him. Reaching out even if he’s not ready to share with you just yet.

TFP Ratchet

• “Another one?” He growls, spotting that shiny stuff taped to the inside of your wrist. Knowing you’ve gone and had another human embed ink under your skin again even though he can’t understand why. The designs are pretty enough, but he’d done some research and he knows it’s a painful process. So why harm yourself for art?

• Rolling your eyes, you ghost your fingertips over the dressing covering your tattoo. Still too new and sore, but you wonder what he’ll think of it when he realizes you had tattooed his cross with the Autobot insignia inside it on yourself. Most likely, he’ll just gape at you and get flustered. But you’d wanted to wear his badge, wanted something permanent of him to carry for the rest of your life.

#transformers x reader #starscream x reader #megatron x reader #ratchet x reader #bluestreak x reader #sunstreaker x reader

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carolperkinsexgirlfriend · 1 day ago

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can you see the stars in your dreams (and do they have a lot to say about me) - Part 18

Or: a secret Admirer AU

PART 1 || PART 2 || PART 3 || PART 4 || PART 5 || PART 6 || PART 7 || PART 8 || PART 9 || PART 10 || PART 11 || PART 1 || PART 13 || PART 14 || PART 15 || PART 16 || PART 17

Steve doesn’t see much of Eddie for the next few weeks. Presumably there are still Dungeons and Dragons sessions and band practices, but Steve and Chrissy are no longer invited. Jeff flits back and forth between their two groups like a child of divorce, and Steve? He just misses Eddie.

Eddie, who even once Steve slinks back to his usual seat in the cafeteria for lunch, no longer gives his table top rants. He doesn’t say anything at all, not where Steve might overhear him. But he still has Chrissy, and Robin, and Jeff, and that’s enough.

In his free time, he writes aimless letters destined to never be read.

Steve’s moving on—getting over it is a process, or so he tells Chrissy. He never shows her the letters, can’t bear to see the pity on her face. He doesn’t talk about it with Robin again either–just hides his notebook away and gets on with his life.

Eddie’s just a boy, and it’s just a crush. Steve can move on, he always does. He tells Eddie as much in a letter he’ll never read.

Everything changes when he opens his locker and something drops out. It’s a bright yellow envelope, sloppy sunflowers drawn on the sides with black pen, and there, dead center, is his name written in a handwriting he’d recognize anywhere, is his name. Not Secret Admirer, not even Harrington, just Steve.

He shoves it into his backpack before Robin can close her own locker and notice.

It stays hidden there for the rest of the day as Steve’s heartbeat rabbits away in his chest, and his palms itch with sweat. He doesn’t open it that night either, too afraid of what he might find in it. It’s like that one story Robin had told him, where the guy goes crazy after burying someone under the floorboards or something? It’s calling to him, no matter how hard he plugs his ears.

Steve doesn’t get much sleep that night.

He still hasn’t opened it by school the next day. Might not ever have opened it if he hadn’t glanced toward Eddie during lunch and caught his eye. Eddie’s staring, gaze intense even with all the distance between them. But then, the weirdest thing happens—Eddie smiles just a little, and finger waves at him, like they’re friends.

Steve just stares, gobsmacked until Eddie’s entire face starts to turn a splotchy red and he looks down at his lunch table as if embarrassed.

“What was that?” Chrissy asks, looking behind her at whatever had caught Steve’s eye.

“I have to go,” Steve blurts, rushing out of the cafeteria before she can ask anymore questions.

His and Chrissy’s usual abandoned classroom has a teacher in it, so he ends up in his and Robin’s bathroom stall, this time alone. Still, he sits on the ground, leaving enough room for the ghost of Robin to have a seat, too.

He opens his backpack, zeroing in on the envelope instantly—as if he’d ever, for a second forgotten about it—and finally pulls it out.

He traces the sunflowers on the paper, memorizing the grooves Eddie’s pen had made before finally turning it over and sliding his fingers beneath the seal to tear it open.

The paper’s thicker than he’s used to getting from Eddie, and it’s that same, bright yellow that doesn’t fit Eddie’s aesthetic at all. But it fits Steve’s, and that’s the thought that finally gets him to bring the letter closer to his face and begin to read.

Steve,

I wanted to start this out by saying that I’m sorry—it’s a phrase I’m becoming alarmingly used to saying in recent weeks. To Jeff, to Gareth, and now to you. No matter how surprised I was, I had no right to say all that shit to you. And for that, I’m sorry, okay? Really, truly sorry.

As Chrissy and Jeff pointed out once you’d left, I was a dick, and there’s no excuse for that. And as my uncle told me when he was doing his disappointed parent shtick, I might have been projecting, just a tad.

Eddie Munson might be gay—who knew?

So, I’ll hope you accept my sincerest apologies for how I’ve handled this whole thing, Steve. I can’t imagine how it must have felt. Well, I can now, a bit. And it’s scary, right? But, I think it’s my turn to be brave. If I haven’t already ruined any chance I might have had, maybe we can go on a date?

I’ll pick you up this Friday at your house, say around seven? If you don’t answer the door, I’ll understand. That’ll be my answer.

But I really, really, really hope you do.

Yours, always, hopefully,

Eddie

Steve stares down at it, flummoxed. He reads it again, and again, and again. When the words on the page don’t change, he slips it delicately into the envelope, and goes to his next class, mind swirling away with the clouds.

“Can I drive you home?” Steve asks Jeff before he can climb into Chrissy’s car.

“Uh, sure?” Jeff replies just as Chrissy cuts in with a near-frantic, “are you okay?”

Steve smiles tightly at her and says, “I’ll call you tonight, okay? I just need to talk to Jeff.”

She bites her lip, looking even more worried than before, but all she says is, “I’ll hold you to that.”

Jeff and Chrissy trade an indecipherable look and then Jeff dutifully follows Steve to his car and climbs in. Before he starts the engine, he pulls the envelope out of his pocket and hands it to Jeff.

“What’s this?” Jeff asks.

“Read it,” Steve replies, starting the car and pulling out of the parking lot so he doesn’t have to see whatever expression crosses Jeff’s face as he reads.

It’s silent for a few minutes aside from The Clash filtering quietly tinnily from the radio, but then Jeff says, “so, he finally did it.”

Steve’s fingers clench on the steering wheel at the vague answer to the question he hasn’t yet asked. “Is it some sort of joke?” Steve grits out, still unable to look at Jeff’s face.

“No, man,” Jeff replies, doing that same shoulder clasp thing he’d done last time he’d been in Steve’s car while he was upset. “He’s just been working through some stuff.”

“So he’s…” he finally shifts his gaze toward Jeff, hoping to convey his question without having to say it aloud.

“Seems so,” Jeff replies.

And Steve shudders, all those same feelings he’d been working so hard to suppress bubbling back to the surface, the most dangerous of all being hope.

“Are you going to go?” Jeff asks, voice even enough not to show his opinion on the decision one way or another.

Steve swallows, throat dry. “I don’t know.”

They don’t talk for the rest of the drive, and when he calls Chrissy later that night, she asks the same thing.

“Are you going to go?” she asks breathlessly, like she’s hanging on his every word.

Steve sighs. “He said he might be gay, Chris. What if we go out and he’s wrong?”

Left unmentioned is the niggling voice in the back of his head still insisting that the whole thing is some sort of cruel prank to get back at him. He’d lied, and strung him along, and gotten him hurt. No matter how many times Eddie apologizes, Steve knows he’s not really the one that should be.

“What if he’s right?” she asks.

Steve knows, deep down in his bones, that he’s going to go, just at the chance that Chrissy’s right, that Eddie’s right, that Jeff’s right. Steve desperately wants to be wrong.

***

Steve doesn’t show any outward appearance of having received the letter. Eddie watches, obsessively trying to catch even the barest hint of what he thinks of the note– if, when he knocks on the Harrington’s front door, he’ll open it.

He keeps looking, and looking, and finally, blessedly, when Eddie looks, Steve’s looking back. Their eyes lock, and such a wave of relief courses through Eddie that he, like a fucking idiot, waves at him. Steve stares, mouth open, and does absolutely nothing back.

Eddie looks down at the table, whole body aflame with mortification, hair dangling messily into Doug’s mashed potatoes.

“Dude,” Doug says, shoving Eddie’s shoulder, forcing him away from his precious lunch.

“You good?” Jeff asks, leaning across the table to poke at Eddie’s bowed head like it’s potentially diseased roadkill he found on the side of the street.

“He hates me!” Eddie whines, turning his head just enough to glance towards Steve’s table, spitting a chunk of hair out of his mouth.

Steve’s not there at all anymore.

“Harrington?” Gareth questions around the bite of apple lodged in his throat. “Aren’t you trying to steal his girlfriend?”

“Of course no—not anymore!” Eddie stutters, turning his head the other direction to glare at Gareth instead.

For his part, Gareth just looks down at him, supremely unimpressed. “Uh huh,” he replies, keeping his voice quiet even when very obviously fed up. “Is this more secret bullshit you’re refusing to tell me?”

“It’s not my secret!” Eddie hisses, finally removing his head from the table so he can crouch on it instead, leaning over Gareth like a gargoyle. “And I promised!”

“Bet you told Wayne,” Gareth mutters.

“Oh my god, I told Wayne!” Eddie cries, dropping off the bench entirely to crawl under the table where he belongs. It’s not like there’s anyone in the room right now that he wants to impress—he already scared Harrington off.

“Dude,” is all Jeff says, peering under the table to look down at him judgmentally. “Chrissy is going to kill you.”

Eddie clutches his hair hard enough that it hurts. “It’s Wayne! He doesn’t count,” Eddie whines, “does he?”

Jeff snorts, kicking his foot out until the toe of his sneaker connects softly with Eddie’s kneecap. “He doesn’t count,” he starts, continuing before Eddie’s even slumped with relief, “to you.”

When Eddie slinks out from beneath the table, Steve’s spot is still empty, and Chrissy’s sitting there, glaring across the cafeteria at Eddie like she can just sense that he didn’t keep his vow of secrecy.

God, girls are scary.

He avoids looking in her direction the rest of lunch, picking at his own potatoes and mushy peas just for something to do.

Steve’s not going to open the door—he knows that. But, even still, he wakes up early on Friday morning to sneak into Mrs. Johnson’s yard to carefully cut a few of her sunflowers, ducking low enough that the bushes in front of her windows will obscure him.

When he’s done, he’s got five perfect sunflowers, tied together with the brown shoelace he’d stolen from a pair of Wayne’s old boots.

He leaves them in the kitchen, awkwardly propped into a bowl full of water since the Munson’s aren’t the kind of family to own a vase, or even a tall enough glass, apparently.

By the time Wayne gets home from the graveyard shift, Eddie’s elbow-deep in a trash bag in the back of his van. Wayne peers through the propped-open doors, eyebrows already raised as Eddie freezes, hand in the metaphorical cookie jar.

“What’re ya doing, boy?” Wayne asks.

Eddie stares, brain full of ants and TV static as he fumbles for an answer. What comes out of his mouth is “I asked Steve out!”

Wayne’s lips quirk up, and he’s smirking at Eddie as if to say, see? told ya, the smug bastard. But all he says is, “is that so?” drawling and easy like he’s not acting all-knowing and superior.

Eddie groans and takes his hand out of the garbage bag to run it through his hair and pull. “Or I left him a note?” he says, gut churning as Wayne’s face drops to his more customary frown. “Oh my god, he’s not going to show!”

“Then why’re you cleaning your van out?”

Eddie puffs up, glaring back at Wayne now. “Well I’m going to show up, Wayne!” he replies, voice shrill. “I’m a man of my word.”

Wayne snorts when Eddie calls himself a man, just like he always does, but his lips are quirked up again, looking almost proud as he replies, “good man,” with only a slightly mocking intonation. “Want some help?”

They get all the trash out in a matter of minutes. When it becomes clear that the vacuum cleaner can’t reach no matter how close they park the van, Wayne comes back out with the broom from the kitchen and they sweep as much debris as they can from inside before Eddie steals the comforter from his own bed and lays it across the back carpet, masking the weird stains.

Wayne finishes it off with a spritz of his own rarely-used cologne, covering up any remaining funky smells. Even so, Eddie elects to leave the windows rolled down to air it out for as long as possible.

When Wayne notices his commandeered shoelace around the sunflowers, he doesn’t say a thing.

Then, he’s forced to go to school, wiling away the hours until he’s standing in front of the Harrington’s front door, boots shined for the first time in his life, sunflowers clutched in shaking hands, van parked neatly behind him, hair brushed into submission. He’d even used his fancy conditioner, thoughts of that half-remembered first letter waxing poetic about his hair fueling his action.

All for a boy who won’t answer the door.

But, Eddie’s a man of his word, so he knocks.

And waits.

He waits such a long time that he jumps when the door opens, breath catching as he looks at Steve Harrington, face-to-face for the first time since that disastrous day in his living room. His mostly-healed eye aches with remembered pain, his ribs cold with the absence of Steve’s hands.

He’s missed looking at him.

Steve’s in light-wash jeans, hair perfectly coiffed, wearing a green sweater that makes the gold in his eyes pop, even in the dim light from the Harrington’s porch light. He looks good, put together enough for a first date, casual enough to just be his everyday clothes.

Eddie’s heartbeat flickers with something that feels alarmingly like hope.

“Uh, hey,” Eddie says, finally breaking the awkward silence.

He smiles, trying to be charming, but he’s never done this before, doesn’t know how to contort his face. He holds out the sunflowers, arm awkwardly extending, hoping desperately that his offering will be accepted.

Steve stares down at them, hand still clutching the door like he’s one second away from slamming it closed in Eddie’s face. Eddie holds his breath, heartbeat ratcheting up from the oxygen deprivation.

Steve reaches out, his fingers brushing Eddie’s as he tries to take the flowers from him. Eddie’s fingers stay clenched around the stems for a second too long, hand following the flowers trajectory toward Steve’s own chest until Eddie forces his hand open and lets it drop uncomfortably back to his side.

Steve stares down at them, leaning down to take a sniff. Eddie winces—they don’t smell like much, just dirt and nebulous green things. But Steve smiles, just a tiny, little thing that hits Eddie’s body like electroshock therapy.

“Thank you.” Steve says quietly, not looking away from the sunflowers as he asks, “come inside while I put them in some water?”

Steve swings the door open wider, and Eddie slides past him and into the Harrington’s house. As Steve wanders further inside, Eddie stands in the entrance—foyer?—feeling remarkably out of place. Even from here, he can see enough negative space to house twenty-odd people, a vaulted ceiling, and is that a chandelier? Eddie doesn’t step a toe off the mat beneath his feet, afraid his very presence will stain the perfect white interior.

He shouldn’t be here. Places like this aren’t for the Munson’s of the world. They’re for royalty, kings and queens, and all the upper crust that spits down on the rest of them. But when Steve comes back, sans sunflowers, he’s smiling just a little, tromping his own shoes over the white carpet like he doesn’t give a shit.

Maybe he doesn’t belong here either. Maybe it’s possible to carve out a space for him in the Munson’s shitty trailer, however small.

“Alright, Munson,” he says, still smiling just this side of awkward. “What’re we doing?”

As Eddie holds Steve Harrington’s own front door open for him to step through, Eddie’s mind’s buzzing with maybes.

***

Eddie’s van smells like mothballs and cologne, and the radio’s quietly playing the sort of generic pop music Steve usually mumbles along to on his way to school. But, Eddie’s fingers are twitching against the wheel, and he hasn’t said a word since they’d climbed in, so Steve sits on his own hands and keeps his mouth shut.

The longer the silence drags on, the more Steve regrets ever opening the door at all. Eddie pulls into Hawkins’ drive-in, and buys their tickets and two bags of popcorn. Steve’s hand clenches in his lap, Eddie’s words to Chrissy all that time ago running through his head—we can go to the drive-in and hold hands the whole time.

“I hope this is okay?” Eddie says, finally breaking the silence as he spins the dial to the correct channel to catch the movie. “I wasn’t sure if you liked horror, but this is all that’s playing this weekend, and I’ve been wanting to watch it so—”

“It’s fine,” Steve replies, and it is.

He’s never been much for horror beyond putting it on for dates so he has a built-in excuse to reach out. But, he’s not squeamish, and maybe those same thoughts are running through Eddie’s head: an excuse to reach out and touch.

But, as the title card flashes SLEEPAWAY CAMP in big, boxy font, all Eddie does is reach into his popcorn bag and stuff a handful into his mouth. Steve follows suit, the buttery kernels turning to ash on his tongue.

He watches with little enthusiasm as the stupid teenagers on screen fool around and get torn apart. Eddie makes little comments throughout the movie, but there’s nothing Steve can grasp onto.

What does one say to, “whoa, blood fountain,” or “god, that kid’s a douche,” or, “they should’ve killed him sooner.”

Steve still tries, humming and nodding along and verbalizing his own agreements. Eddie never responds, just keeps stuffing his mouth with popcorn until the bag’s empty. Steve stares down at his own mostly-full bag and wonders if the separate bags were just to make sure they didn’t accidentally brush hands.

He hands his own popcorn over, and Eddie grabs it twitchily, muttering a “thanks, dude,” without really looking at Steve at all.

Steve just wants to go home, crawl into his own bed, and forget this whole thing ever happened.

But he just sits there, silent as the movie plays on. He doesn’t understand the end, but he missed so much of the beginning and middle that he barely questions it.

When it’s over, Eddie turns the dial back to that same, nondescript station that doesn’t fit him at all, fingers clenching hard enough on the wheel that Steve can hear it creak under the strain. Steve turns away, to look out the window, throat clogged up with feelings he doesn’t want to think about.

The longer this date drags on, the more excruciatingly clear it becomes that whatever is driving Eddie to this, it’s not him returning Steve’s feelings. This isn’t how dates go when you’re excited about them, there’s nothing clicking into place–it doesn’t even seem like Eddie’s trying.

He feels small, and sad, and every minute that passes with Eddie saying absolutely nothing at all only makes Steve feel more like a charity case that Eddie’s taken pity on.

He never should have listened to Chrissy and Jeff’s encouragement. They’d both been so hopeful that he’d caved, but they’re not the ones stuck in the devastatingly uncomfortable moment. It’s just him and Eddie, living with the fact that Steve’s got a crush on a boy that can never like him back.

There’s no coming back from this, no matter how nice Eddie tries to be about it. Because he is nice, no matter how he’s been acting the past few weeks.

Steve’s the problem—always has been, always will be.

So, he stews in the silence, watching the same familiar buildings pass him by like it’s the last time he’ll ever see them. And maybe it will be, if Eddie decides to be not so nice. This was all so catastrophically, unbelievably stupid from that very first letter all the way to this moment, stuck in a van with a boy that won’t even look at him.

He’s so lost in thought that he doesn’t realize they’re going the wrong way until Eddie’s pulling into a familiar clearing in the quarry. His headlights illuminate the skid marks Steve’s car had made in the dirt when he’d screeched to a halt to stop Jason Carver from rearranging his face.

Eddie slides into park much more levelly and cuts the engine. The quiet is absolute, made worse by the darkness surrounding them. Steve can hear the crinkle of Eddie shifting on his seat, the sound of his throat as he gulps like he’s about to go off to war.

“I thought—” Eddie starts before petering off as his voice breaks. Steve listens to him take a few shuddering breaths before starting again. “I thought we could star gaze?”

Steve sighs, slumping back into his seat, so unbelievably tired. “Eddie—”

“Unless you don’t want to!” Eddie rushes out. “I just thought…”

Steve would kill to know what he’s thinking, but whatever it is, Eddie doesn’t pick up his trailing sentence, just leaves it hanging in the silence between them. Steve sighs again, reaching up to pinch the bridge of his nose, desperate to keep an even keel.

“Look, Eddie” Steve starts, turning toward Eddie. He can see the silhouette of his frame hunched over in the driver’s seat, but his face is a black void for Steve to project upon. It makes him brave. “You don’t have to do this. You, like, tried it out, right? And it didn’t work out.”

“Steve—”

“It’s fine, Eddie,” Steve cuts in, exhausted. “You can just drop me off at home, and we can go our separate ways.”

Eddie makes a sound like a strangled cat, and then his silhouette lunges across the distance between their seats. Steve jerks back, head banging painfully into the window as Eddie’s mouth mashes against his, more teeth than lips.

PART 19

Shoutout, once again, to my beta reader and friend @queenie-ofthe-void for this one!!! I struggled for weeks on the date, and then they said, "what if you just make it as awkward as possible," and then I wrote this entire date in a day. Truly a muse for me <3<3<3

#koko's steddie secret admirer au #steddie #my fic

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badnewswhatsleft · 1 day ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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inkbotkowalski · 4 hours ago

Text

[images are screenshots of a Reddit post in No Stupid Questions and one comment:

How long do pajama pants usually last before fart holes tear them apart?

FINAL EDIT (as in, the thread has concluded, no more need to comment):

A couple of comments on this post have suggested that my issues are caused by the dryer settings I use. Indeed, those comments reminded me that my 100% cotton undershirts also gradually weaken over time, and only last ~15 months before I stop wearing them because they tear too easily. This seems very plausible. I will do more research, experiment with my dryer, perhaps set up a clothes line, and see how things turn out in a couple of years.

Thank you to everyone that has tried to help me figure out the root cause.

END OF FINAL EDIT

For me, the answer is roughly 9 months of real-time, so about 3 months of actual wear-time, before a large tear develops next to where the anus is typically situated.

Base facts:

I am European, so I wear pajama pants without underwear.

I live in the USA, so I purchase pajama pants from US vendors.

I always buy 100% cotton pajama pants.

I usually alternate between 3 different pairs of pajama pants, wearing each pair for 3-4 nights in a row before putting them in the laundry.

A pair of pajama pants, worn in this fashion, typically lasts ~9 months before developing a significant fart tear that makes it unwearable.

I wear boxer shorts as underwear while awake, each pair for 1 day in a row, and have only had 2 such pairs develop fart holes in the last 6 years.

I rarely fart while clothed and awake.

Is this experience typical? How long do others' pajama pants last before fart tears make them unwearable?

EDIT: I have remembered why I associate these holes with farts. Typically the final straw that causes the tearing occurs after I get angry in the evening, after having already changed into pajama pants, and end up farting as a result of the anger. This is not a common occurrence but it always precedes the final tearing of a pair of pajama pants.

Comment by ChuckoRuckus:

I’m not sure what’s more ridiculous…. Farts blowing holes in your pajamas, or you’re farting out of anger.

I’ve never been so full of rage that my ass starts barking. Do you wake up and choose flatulence instead of violence?]

I'M DEAD. I'M DECEASED. I HAVE PERISHED. I LAUGH-CRIED.

(and no, that's not typical European behaviour!!!)

r/NoStupidQuestions continues to deliver

Plus I have to include my favorite comment:

#lol #lmao #rofl #OMG #Reddit #farts #pyjamas #shenanigans

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meansevika · 1 day ago

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okay so very long thinkpiece about meljay and jayce' treatment of mel / the writers treatment of mel and how i think that all things considered she hasnt really won as much as we think she did

the thing about this that makes me so mad or rather sad (both, actually) is that we learn in season 1 how mel was brought up, that she didn't get to be soft and kind, that her surroundings were hard and rough just like her mother was, that love isn't a thing she knows like that especially not in relation to vulnerability. now if you think about media in general there is a pattern we know. the black woman is always the strong woman, the independent woman, the woman who doesnt get to be vulnerable bc of the first two points. so here comes this man she's trying to use not just for her own endeavors but for the good of piltover, clearly having a different mindset than her mother, and he cracks her open just like that. he's vulnerable with her and he lets her be vulnerable with him and it allows this woman this kind of vulnerability that she was never allowed to feel. she feels and she loves and there is someone who holds her and looks out for her when things go bad. he is his first thought after the bombing and hes so loving and endearing unlike her mother who is concerned, of course, but straight back to business too. and oh what a lovely thing that was to watch as a black woman who to this day still doesn't get to see this as often as we really should

so mel gets to experience something she hasnt before and you can tell it means something to her because when she gets back in act 3 the first reaction to him is an excited, hopeful one.

this is the man she cares deeply for and it is also the man who shes comforted before many times. something she needs in those very confusing times too. something she might be looking out for. something she might hope to get herself. some comforting after what shes been through for months. someone to share what is going on with her and how confusing it is to find out all those lies and secrets about herself.

until she notices how changed he is, how different he looks, so instantly she is worried. of course! who wouldnt be! she very likely didnt even know he was missing since its the first time we see her back in the city so she must've assumed he has been here and well for the whole time being (does she even know how long its been?) but it isnt fine as we know. she puts herself second! immediately! (and rewatching that scene now it actually makes me mad how she does that. and how anyone can question any of her feelings for him when shes immediately all jayce. or how in general people think shes only interested in her own goals) she asks this man who has shown her to be vulnerable around him and it BEING FINE, what happened, shes opening herself up to him, again, over and over, and he not only tells her it doesnt matter (what happened to him) but TURNS HIS BACK ON HER. he is literally shutting her off. he is saying with his body she does not get to do that. and for someone who has grown up like this, with a mother cutting off any kind of displays of weakness, this must be a familiar feeling, something that goes off like a bell

but she still tries! she still tries! she sees something is wrong but she tries to get comfort anyway, because this is jayce, right, this is the man she cares for deeply, the man who has opened this door for her and the door she's let herself through, the man who has always had compassion for her. of course she tries again. why wouldn't she? so she starts that something has happened to her but he doesn't even let her tell him what happened (actually it makes me so mad seeing this again and how crazy hostile he is towards her, its like im looking at the mel hating part of arcanetwt and him repeating beat for beat what theyve been saying for years) he doesnt give her room to speak, just takes it for himself, prioritizing himself and his own feelings. and, yes, figuring out the bombing thing and wanting to talk about it is valid and i think in general this could've been a great angsty way to deal with this topic IF they would've had the opportunity to talk this out properly but what happens instead is that the man that makes mel feel safe starts INTERROGATING her like she is a criminal that should be held for trial FOR SAVING HIM something she doesnt even undestand herself. and suddenly she is in a whole different position and i think by now she knows that this kind of compassion and understanding and room for vulnerability isn't part of their conversation anymore

she loses her composure and that of course isnt a first because she has started to be less put together around him, allowing her more room to "sway" but this kind of destruction is a different one because she feels at trial, feels cornered, feels like she has to explain herself but - and thats what is important - isnt heard. and i think that is something she knows very well, something shes grown up with, trying to explain herself and not being heard.

all of that happens while he is, mind you, still holding onto that hammer. something she surely notices too. the man who's usually quick to let down his defences around her, who isnt councilor talis or mister talis but just jayce around her, is holding onto that hammer like shes a threat. so he tells her he thinks shes lying and she asks him why he would think she'd do that, obviously, because her understanding of their relationship and their trust is a different one than his or at least this jayce that has come back from the arcane, because clearly this kind of understanding comes from somewhere and it comes from the times they've spent together alone throughout season 1 and a little in the beginning of season 2.

he throws at her that shes been using him, something that surprises her, because clearly she doesnt know what has happened, but she tries to explain anyway, because she doesnt know what has happened at least not in full (as you can tell by her reaction to viktor appearing, sensing the hostile mood between both, but also the way she reacts when viktor mentions the noxians intentions), and you can see that these thoughts of his are a result of months in the arcane alone with them and imagining conversations over conversations (although for me its still hard to understand how he grew that hostile towards her this quickly as if she were responsible for everything that happened but those are thoughts for a different post). he crashes out during that conversation, his face is warped with hatred and that is. all. for. her. to. see. and then BOOM goes the hammer off. mid conversation. a conversation that should feel safe with a man she should feel safe with but none of that is there. there is no space for her. (and yes i know hes aiming at viktors puppet but that isnt somethng mel is aware in that moment)

it all leads up to a fight and eventually they walk together and he apologizes, although very distantly and without much explanation, and despite it all, despite having good reasons to shut off and not share what she's feeling, she does. she talks to him about what is on her mind and they have a short, bittersweet exchange but it's just nowhere to what they've established in the first season. as a shipper of course that is super frustrating, but as a mel fan it's just sad to see that the person she felt safe enough to seek comfort in is just so closed off. but not only that, it's obvious they're parting ways and it's very obvious this is coming from his side and i think that is also why she so wilingly accepts it. she doesn't fight much back throughout their whole fight earlier either, she tries to explain herself, but doesnt demand that room for herself even though in this relationship she should be able to take just as much room for herself and her feelings as he does, but she doesn't. she just lets it happen and i understand it bc you have this man you trust and probably love and his first reaction to you is hostile when hostile has never been a response to her. he made a complete u-turn and of course that's off putting, maybe even scary, of course it shuts her down, makes someone who's so good with words and fighting just try to cause as little damage as possible because that is how she's grown up, isn't it?

and that is why i am sad about this. she learned that love doesnt have to look like her mothers and that being vulnerable isnt a weakness and its his doing but here she is met by this kind of hostility she only knows from noxus and it hurts even more that it COMES FROM HIM and over something as SAVING HIS LIFE when its clearly was an act out of love and not investment bc if i'd would've been just that than she would've saved viktor as well? but it wasnt about that. it was her subconscious making a decision and it was something her mother would describe as an act of weakness (theres a reason she gets renni to attack him bc she sees how fond mel of him is maybe even because shes been fond of a man herself once and she knows what itll do) and i think the worst part about it is that she doesnt ever get to truly articulate this or anything else and now that jayce is gone (dead? in a stone? who knows?) she won't get to ever probably. she won't get to say what she thinks and explain herself truly and she won't have anyone to confide in, to be comforted by or comfort. elora is dead, kino wasn't real and the real one is actually dead too, jayce is well whatever he is, and her mother died in her arms. yes, mel is a mage and that is fucking awesome and i was so happy to see her go off and get so many spotlights in battle, but shes also so fucking tragic actually. because here she is with a fuck ton of weight on her shoulders, the noxian army looking up to her, the whole name, not knowing who her father is or what any of her powers mean, the whole black rose thing, everything unresolved between her and jayce, the death of the people she loves, and shes all alone with it. shes all alone with it and she gets no one. man im just fucking sad that this woman got a glimpse of what it could be like to be loved and have someone to "come home to" just for her to have literally no one left like why do you hate black women so much why cant they get a fucking good ending and why cant they be fucking loved even when things get hard

also im lowkey mad that jayce got to find comfort in her lap so many times and not once did she get that in return, not even a squeeze of her shoulder, but dont let me get started on that....

#mel medarda #jayce talis #meljay #onlymeljay #goldenforge #arcane #arcane season 2 spoilers #arcane spoilers #kds.txt #im sorry this is a lot but i have so many thoughts #a lot of them hurt me #but i think this one just kills me the most #i wanted her to have something she didnt have before #it was so nice to see her being treated this well #only for it to end like that #and so cold too

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deathbxnny · 2 days ago

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Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

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